On a wharf in Provincetown, Massachusetts, where Greenwich Village bohemians gathered in the summer of 1916, Susan Glaspell was inspired by a sensational murder trial to write Trifles, a play about two women who hide a Midwestern farm wife's motive for murdering her abusive husband. Following successful productions of the play, Glaspell became the "mother of American drama." Her short story version of Trifles, "A Jury of Her Peers," reached an unprecedented one million readers in 1917. The play and the story have since been taught in classrooms across America and Trifles is regularly revived…mehr
On a wharf in Provincetown, Massachusetts, where Greenwich Village bohemians gathered in the summer of 1916, Susan Glaspell was inspired by a sensational murder trial to write Trifles, a play about two women who hide a Midwestern farm wife's motive for murdering her abusive husband. Following successful productions of the play, Glaspell became the "mother of American drama." Her short story version of Trifles, "A Jury of Her Peers," reached an unprecedented one million readers in 1917. The play and the story have since been taught in classrooms across America and Trifles is regularly revived on stages around the world. This collection of fresh essays celebrates the centennial of Trifles and "A Jury of Her Peers," with departures from established Glaspell scholarship. Interviews with theater people are included along with two original works inspired by Glaspell's iconic writings.
Martha C. Carpentier is a retired professor of modern British and Irish literature at Seton Hall University, New Jersey. She is a co-founder of the International Susan Glaspell Society and has been vice-president and president of the society. She lives in Melbourne Beach, Florida. Emeline Jouve is an assistant professor of American literature and culture at Champollion University and Toulouse Jean-Jaurès University, France. She is the author of several articles on American drama and theater and is the editor of "Staging Mobility in the United-States" for the online journal Miranda (2011). She lives in Toulouse, France.
Inhaltsangabe
Table of Contents Introduction: An Iconic Work at 100 Years (Martha C. Carpentier and Emeline Jouve) Part I: Scholars' Voices Forensic Science and the Aesthetics of Affect in "A Jury of Her Peers" (Catherine Q. Forsa) Seeing, Looking, Pointing: A Linguistic Reading of Trifles and "A Jury of Her Peers" (Marie-Pierre Maechling-Mounie) Silent Partners: The "Trifling" Nature of Language in the Theatre of Susan Glaspell and Samuel Beckett (Linda Ben-Zvi) Susan Glaspell's Radicalization of Women's Crime Fiction: Female Reading Strategies from Anna Katharine Green to Sara Paretsky (Ilka Saal and Mareike Dolata) Powerful Gazes: The Right to Look in Film Adaptations of Trifles and "A Jury of Her Peers" (Noelia Hernando-Real) Susan Glaspell's Gendered Detectives: Suspense and the Threat to Masculine Identity in Radio and Screen Adaptations from 1930 to 1961 (Drew Eisenhauer) Part II: Practitioners' Voices Interviews Trifles and "A Jury of Her Peers" on Film: Interview with Filmmakers Sally Heckel and Pamela Gaye Walker (Sharon Friedman) Producing Susan Glaspell's Plays: Interview with Founders of the Orange Tree Theatre, Sam Walters and Auriol Smith (Barbara Ozieblo) Trifles in Production at the Orange Tree Theatre, 2008: Interview with Director Helen Leblique (Barbara Ozieblo) Adaptations / Creations Sometimes I Sing: Freeing the Voice of Minnie Wright in Trifles (Milbre Burch) From Dramatic Time to Operatic Time: Creating an Opera Libretto from the Play Trifles (John F. McGrew and John G. Bilotta) Sometimes I Sing: An Original Dramatic Monolgue Inspired by Trifles (Milbre Burch) Trifles: An Original Operatic Libretto (John F. McGrew) Bibliography About the Contributors Index
Table of Contents Introduction: An Iconic Work at 100 Years (Martha C. Carpentier and Emeline Jouve) Part I: Scholars' Voices Forensic Science and the Aesthetics of Affect in "A Jury of Her Peers" (Catherine Q. Forsa) Seeing, Looking, Pointing: A Linguistic Reading of Trifles and "A Jury of Her Peers" (Marie-Pierre Maechling-Mounie) Silent Partners: The "Trifling" Nature of Language in the Theatre of Susan Glaspell and Samuel Beckett (Linda Ben-Zvi) Susan Glaspell's Radicalization of Women's Crime Fiction: Female Reading Strategies from Anna Katharine Green to Sara Paretsky (Ilka Saal and Mareike Dolata) Powerful Gazes: The Right to Look in Film Adaptations of Trifles and "A Jury of Her Peers" (Noelia Hernando-Real) Susan Glaspell's Gendered Detectives: Suspense and the Threat to Masculine Identity in Radio and Screen Adaptations from 1930 to 1961 (Drew Eisenhauer) Part II: Practitioners' Voices Interviews Trifles and "A Jury of Her Peers" on Film: Interview with Filmmakers Sally Heckel and Pamela Gaye Walker (Sharon Friedman) Producing Susan Glaspell's Plays: Interview with Founders of the Orange Tree Theatre, Sam Walters and Auriol Smith (Barbara Ozieblo) Trifles in Production at the Orange Tree Theatre, 2008: Interview with Director Helen Leblique (Barbara Ozieblo) Adaptations / Creations Sometimes I Sing: Freeing the Voice of Minnie Wright in Trifles (Milbre Burch) From Dramatic Time to Operatic Time: Creating an Opera Libretto from the Play Trifles (John F. McGrew and John G. Bilotta) Sometimes I Sing: An Original Dramatic Monolgue Inspired by Trifles (Milbre Burch) Trifles: An Original Operatic Libretto (John F. McGrew) Bibliography About the Contributors Index
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