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Originally published in 1995, this title is a result of an interdisciplinary study in architectural theory, psychology and philosophy and the author's experience as a practicing architect. It tries to relate theories of aesthetics and recent advances in the psychology of visual perception to the practice of design.

Produktbeschreibung
Originally published in 1995, this title is a result of an interdisciplinary study in architectural theory, psychology and philosophy and the author's experience as a practicing architect. It tries to relate theories of aesthetics and recent advances in the psychology of visual perception to the practice of design.
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Autorenporträt
Ralf Weber, PhD (UC Berkeley) is a Senior Research Professor of Architecture at the Faculty of Architecture, Dresden University of Technology and heads the University's Color Competency Research Center and Color Teaching Collection that functions as the nucleus for interdisciplinary studies of color in the sciences and arts. He received his Diploma in Architecture at the University of Dresden and thereafter he practiced architecture in the office of Rolf Gutbrodt/Frei Otto and taught at Stuttgart University before moving to Berkeley, CA, USA in 1980 where he received a PhD in Design Methodology, Environmental Psychology and Aesthetics. He taught for several years at UC Berkeley before he returned to Dresden after the reunification of Germany, when he was appointed Chair for Spatial Design in Architecture from 1994 to 2019, after which he was became head of the University Color Center. He has held visiting professorships in Ankara, Kent State, Florence, Potsdam and the School of Architecture, University of Oregon, Eugene. In his teaching and research he attempts to build bridges between the disciplines of architecture and design on the one hand and the theories of aesthetics and visual perception on the other. He is the internationally published author of the books: On the Aesthetics of Architecture; Aesthetics and Architectural Composition; and Thema Material as well as numerous articles in the fields of architecture, aesthetics and environmental psychology and more recently in the field of color.