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It is only since global media and digital communications became accessible to ordinary populations - with Telstar, jumbo jets, the pc and mobile devices - that humans have been able to experience their own world as planetary in extent. What does it mean to be one species on one planet, rather than a patchwork of scattered, combative and mutually untranslatable cultures? One of the most original and prescient thinkers to tackle cultural globalisation was Juri Lotman (1922-93). On the Digital Semiosphere shows how his general model of the semiosphere provides a unique and compelling key to the…mehr

Produktbeschreibung
It is only since global media and digital communications became accessible to ordinary populations - with Telstar, jumbo jets, the pc and mobile devices - that humans have been able to experience their own world as planetary in extent. What does it mean to be one species on one planet, rather than a patchwork of scattered, combative and mutually untranslatable cultures? One of the most original and prescient thinkers to tackle cultural globalisation was Juri Lotman (1922-93). On the Digital Semiosphere shows how his general model of the semiosphere provides a unique and compelling key to the dynamics and functions of today's globalised digital media systems and, in turn, their interactions and impact on planetary systems. Developing their own reworked and updated model of Lotman's evolutionary and dynamic approach to the semiosphere or cultural universe, the authors offer a unique account of the world-scale mechanisms that shape media, meanings, creativity and change - both productive and destructive. In so doing, they re-examine the relations among the contributing sciences and disciplines that have emerged to explain these phenomena, seeking to close the gap between biosciences and humanities in an integrated 'cultural science' approach.
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Autorenporträt
John has written, performed and reviewed alternative music since the late 1980s. Founder member of cult band The Irony Board, he has continued to release music with Echolalia, Broken Down Lorry, The Broken Heed and most recently as Johny Nocash. He began reviewing music for the Neo-Tokyo online magazine in the mid 1990s, and has since written comprehensively for the acclaimed Dukla Prague Away Kit blog, the Everything Indie Over 40 website and Toppermost. His memoir 'Capturing the Wry' was first published by i40Publishing in 2018. His forthcoming authorised biography of the indie band BOB is published by i40Publishing in February 2023. When not filling his head with music John is a father of three, long-suffering supporter of Bolton Wanderers and Chorley FC, an enthusiastic drinker of tea, and a school leader in special education. He also writes Young Adult fiction.