This book probes occluded depictions of queerness in early English drama, ranging from medieval morality plays to Reformation interludes and beyond.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Quem Quaeritis? Queerness in Early English Drama Part One: Queer Theories and Themes of Early English Drama 1. A Subjunctive Theory of Dramatic Queerness 2. Themes of Friendship and Sodomy Part Two: Queer Readings of Early English Drama 3. Performative Typology, Jewish Genders, and Jesus’s Queer Romance in the York Corpus Christi Plays 4. Excremental Desire, Queer Allegory, and the Disidentified Audience of Mankind 5. Sodomy, Chastity, and Queer Historiography in John Bale’s Interludes 6. Camp and the Hermaphroditic Gaze in Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis Conclusion: Theatrical Medievalisms, Terrence McNally’s Corpus Christi, and the Queer Legacy of Early English Drama Works Cited
Introduction: Quem Quaeritis? Queerness in Early English Drama Part One: Queer Theories and Themes of Early English Drama 1. A Subjunctive Theory of Dramatic Queerness 2. Themes of Friendship and Sodomy Part Two: Queer Readings of Early English Drama 3. Performative Typology, Jewish Genders, and Jesus’s Queer Romance in the York Corpus Christi Plays 4. Excremental Desire, Queer Allegory, and the Disidentified Audience of Mankind 5. Sodomy, Chastity, and Queer Historiography in John Bale’s Interludes 6. Camp and the Hermaphroditic Gaze in Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis Conclusion: Theatrical Medievalisms, Terrence McNally’s Corpus Christi, and the Queer Legacy of Early English Drama Works Cited
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