Andere Kunden interessierten sich auch für
![The Reception Of Autos-De-Fé In 18th Century New Spain]( "The Reception Of Autos-De-Fé In 18th Century New Spain")
The Reception Of Autos-De-Fé In 18th Century New Spain38,99 €![Thomas Crawford and art in America. Address Before the New York Historical Society, Upon the Reception of Crawford's Statue of the Indian, Presented b]( "Thomas Crawford and art in America. Address Before the New York Historical Society, Upon the Reception of Crawford's Statue of the Indian, Presented b")
Thomas Crawford and art in America. Address Before the New York Historical Society, Upon the Reception of Crawford's Statue of the Indian, Presented b28,99 €![Our Way: Contemporary Aboriginal Art from Lockhart River]( "Our Way: Contemporary Aboriginal Art from Lockhart River")
Our Way: Contemporary Aboriginal Art from Lockhart River70,99 €![Dreaming the Land: Aboriginal Art from Remote Australia]( "Dreaming the Land: Aboriginal Art from Remote Australia")
Dreaming the Land: Aboriginal Art from Remote Australia59,99 €![In the Grecian Style]( "In the Grecian Style")
In the Grecian Style79,00 €![In the Footsteps of the Old Masters]( "In the Footsteps of the Old Masters")
In the Footsteps of the Old Masters94,05 €![The Reception of Myth and Mythology]( "The Reception of Myth and Mythology")
The Reception of Myth and Mythology390,99 €
The reading of art is located in deeply entrenched ideas of culture and contextualised by specific historical frameworks. This book addresses the question of how Australian Aboriginal art is displayed in the institutional spaces of art galleries and museums in Germany. It argues that there is an underlying current in Germany that divides the representation of art into European and 'Other.' In German culture, institutional representation of art is hierarchical; the art museum at the top enhances the self-reflexive notion of culture, while the ethnological museum provides the context against which European, specifically German, identity and culture are pitched. German art history and ethnology have led to a binary reading of art that has largely inhibited the exhibition of Aboriginal art as contemporary art. However, Aboriginal art that is contextualised as ethnographic and not as contemporary continues a Modernist attitude on cultural exchange, emphasising an essential difference.This essentialising of art overlooks the globalised situation that evokes regional cultural inflections based on postcolonial expressions of hybridity and fragmentation.