«On the subject of the feminist business»: Re-Reading Flannery O'Connor is a groundbreaking collection of critical essays that responds to mainstream feminist theory in approaching O'Connor's fiction. These innovative readings provide a fresh reappraisal of O'Connor's work, revealing how she defies the patriarchal Southern culture in which she lived with brilliantly subversive depictions of the women who inhabited her world.
«On the subject of the feminist business»: Re-Reading Flannery O'Connor is a groundbreaking collection of critical essays that responds to mainstream feminist theory in approaching O'Connor's fiction. These innovative readings provide a fresh reappraisal of O'Connor's work, revealing how she defies the patriarchal Southern culture in which she lived with brilliantly subversive depictions of the women who inhabited her world.
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Autorenporträt
The Author: Teresa Caruso earned her Ph.D. in Literature and Criticism from Indiana University of Pennsylvania with her work on Flannery O'Connor and the feminine grotesque. Her scholarly activities continue to focus on feminist re-evaluations of O'Connor's fiction. She currently teaches literature and composition at Penn State Erie, The Behrend College, in Erie, Pennsylvania.
Inhaltsangabe
Contents: Teresa Caruso: Introduction: «On the subject of the feminist business» - Robert Donahoo: O'Connor and The Feminine Mystique: «The Limitations That Reality Imposed» - Virginia Wray: Flannery O'Connor's Struggle with Patriarchal Culture - Margaret D. Bauer: The Betrayal of Ruby Hill and Hulga Hopewell: Recognizing Feminist Concerns in «A Stroke of Good Fortune» and «Good Country People» - Marshall Bruce Gentry: How Sacred Is the Violence in «A View of the Woods»? - Dawn Keetley: «I forgot what I done»: Repressed Anger and Violent Fantasy in «A Good Man Is Hard to Find» - Natalie Wilson: Misfit Bodies and Errant Gender: The Corporeal Feminism of Flannery O'Connor - Christine Atkins: Educating Hulga: Re-Writing Seduction in «Good Country People» - Avis Hewitt: «Ignoring Unmistakable Likeness»: Mark Fortune's Miss-Fortune in «A View of the Woods» - J. June Schade: Survival in a Patriarchal World.
Contents: Teresa Caruso: Introduction: «On the subject of the feminist business» - Robert Donahoo: O'Connor and The Feminine Mystique: «The Limitations That Reality Imposed» - Virginia Wray: Flannery O'Connor's Struggle with Patriarchal Culture - Margaret D. Bauer: The Betrayal of Ruby Hill and Hulga Hopewell: Recognizing Feminist Concerns in «A Stroke of Good Fortune» and «Good Country People» - Marshall Bruce Gentry: How Sacred Is the Violence in «A View of the Woods»? - Dawn Keetley: «I forgot what I done»: Repressed Anger and Violent Fantasy in «A Good Man Is Hard to Find» - Natalie Wilson: Misfit Bodies and Errant Gender: The Corporeal Feminism of Flannery O'Connor - Christine Atkins: Educating Hulga: Re-Writing Seduction in «Good Country People» - Avis Hewitt: «Ignoring Unmistakable Likeness»: Mark Fortune's Miss-Fortune in «A View of the Woods» - J. June Schade: Survival in a Patriarchal World.
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