Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Screening Sex and Porn Studies, both also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the "Frenzy of the Visible." In 2013, Williams received a Lifetime Achievement Award from the Society for Cinema and Media Studies. ¿
Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Screening Sex and Porn Studies, both also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the "Frenzy of the Visible." In 2013, Williams received a Lifetime Achievement Award from the Society for Cinema and Media Studies. ¿
Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Screening Sex and Porn Studies, both also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the "Frenzy of the Visible." In 2013, Williams received a Lifetime Achievement Award from the Society for Cinema and Media Studies.
Inhaltsangabe
Acknowledgments vii Introduction 1 Part I. World Enough and Time: The Genesis and Genius of The Wire 1. Ethnographic Imagination: From Journalism to Television Serial 11 2. Serial Television's World and Time: The Importance of the "Part" 37 Part II. Justice in The Wire: Tragedy, Realism, and Melodrama 3. "Classical" Tragedy, or . . . 79 4. Realistic, Modern Serial Melodrama 107 Part III. Surveillance, Schoolin', and Race 5. Hard Eyes / Soft Eyes: Surveillance and Schoolin' 139 6. Feeling Race: The Wire and the American Melodrama of Black and White 173 Conclusion: Home Sweet Baltimore 211 Notes 223 Bibliography 247 Index 255
Acknowledgments vii Introduction 1 Part I. World Enough and Time: The Genesis and Genius of The Wire 1. Ethnographic Imagination: From Journalism to Television Serial 11 2. Serial Television's World and Time: The Importance of the "Part" 37 Part II. Justice in The Wire: Tragedy, Realism, and Melodrama 3. "Classical" Tragedy, or . . . 79 4. Realistic, Modern Serial Melodrama 107 Part III. Surveillance, Schoolin', and Race 5. Hard Eyes / Soft Eyes: Surveillance and Schoolin' 139 6. Feeling Race: The Wire and the American Melodrama of Black and White 173 Conclusion: Home Sweet Baltimore 211 Notes 223 Bibliography 247 Index 255
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309