First published in Italian as Tracee: training e storia di un'attrice dell'Odin Teatret by Titivillus Edizioni, 2007.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgements On Time and In Visibility: Training in Context - Foreword by Frank Camilleri Preface in the Form of a Letter from Eugenio Barba PART ONE: The Story and the Training Introduction Milan and Some Dates Holstebro and Carpignano Salentino The Transmission of Experience Exercises and Principles Slow Motion Composition Introversion and Extroversion Denmark Geronimo and Street Theatre Sources of Inspiration Dialogue with Tiredness Segmentation Being Decisive Thought in Action Improvisations Individual Improvisation Composing a Character A Little Digression into Private Life Marble Meeting the Asian Masters Judith Notes on Improvisation The Voice in Training and in Performance Salt Our Chronic Life Metamorphosis Photographs: A Gallery of Characters PART TWO: The Workshop The Dance of Intentions PART THREE: Perspectives A Memory Not Only For and By Itself - A Note on Methodology by Francesca Romana Rietti Backward Steps - Epilogue by Nando Taviani Photo credits
Acknowledgements On Time and In Visibility: Training in Context - Foreword by Frank Camilleri Preface in the Form of a Letter from Eugenio Barba PART ONE: The Story and the Training Introduction Milan and Some Dates Holstebro and Carpignano Salentino The Transmission of Experience Exercises and Principles Slow Motion Composition Introversion and Extroversion Denmark Geronimo and Street Theatre Sources of Inspiration Dialogue with Tiredness Segmentation Being Decisive Thought in Action Improvisations Individual Improvisation Composing a Character A Little Digression into Private Life Marble Meeting the Asian Masters Judith Notes on Improvisation The Voice in Training and in Performance Salt Our Chronic Life Metamorphosis Photographs: A Gallery of Characters PART TWO: The Workshop The Dance of Intentions PART THREE: Perspectives A Memory Not Only For and By Itself - A Note on Methodology by Francesca Romana Rietti Backward Steps - Epilogue by Nando Taviani Photo credits
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