Roberta Carreri (Odin Teatret)
On Training and Performance
Traces of an Odin Teatret Actress
Herausgeber: Camilleri, Frank
Roberta Carreri (Odin Teatret)
On Training and Performance
Traces of an Odin Teatret Actress
Herausgeber: Camilleri, Frank
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
First published in Italian as Tracee: training e storia di un'attrice dell'Odin Teatret by Titivillus Edizioni, 2007.
Andere Kunden interessierten sich auch für
- Frances HardingThe Performance Arts in Africa54,99 €
- Petra KuppersDisability and Contemporary Performance60,99 €
- Old Norse Poetry in Performance194,99 €
- Alison C. Dobbins (Michigan State University, MI, USA)Projection Design for Theatre and Live Performance49,99 €
- Andrew SneddenVital Performance55,99 €
- Theatre Translation in Performance219,99 €
- Experiencing Liveness in Contemporary Performance59,99 €
-
-
-
First published in Italian as Tracee: training e storia di un'attrice dell'Odin Teatret by Titivillus Edizioni, 2007.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 254
- Erscheinungstermin: 10. Juli 2014
- Englisch
- Abmessung: 213mm x 137mm x 15mm
- Gewicht: 364g
- ISBN-13: 9781138780002
- ISBN-10: 1138780006
- Artikelnr.: 40467000
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 254
- Erscheinungstermin: 10. Juli 2014
- Englisch
- Abmessung: 213mm x 137mm x 15mm
- Gewicht: 364g
- ISBN-13: 9781138780002
- ISBN-10: 1138780006
- Artikelnr.: 40467000
Roberta Carreri. Edited by Frank Camilleri
Acknowledgements
On Time and In Visibility: Training in Context - Foreword by Frank
Camilleri
Preface in the Form of a Letter from Eugenio Barba
PART ONE: The Story and the Training
Introduction
Milan and Some Dates
Holstebro and Carpignano Salentino
The Transmission of Experience
Exercises and Principles
Slow Motion
Composition
Introversion and Extroversion
Denmark
Geronimo and Street Theatre
Sources of Inspiration
Dialogue with Tiredness
Segmentation
Being Decisive
Thought in Action
Improvisations
Individual Improvisation
Composing a Character
A Little Digression into Private Life
Marble
Meeting the Asian Masters
Judith
Notes on Improvisation
The Voice in Training and in Performance
Salt
Our Chronic Life
Metamorphosis
Photographs: A Gallery of Characters
PART TWO: The Workshop
The Dance of Intentions
PART THREE: Perspectives
A Memory Not Only For and By Itself - A Note on Methodology by Francesca
Romana Rietti
Backward Steps - Epilogue by Nando Taviani
Photo credits
On Time and In Visibility: Training in Context - Foreword by Frank
Camilleri
Preface in the Form of a Letter from Eugenio Barba
PART ONE: The Story and the Training
Introduction
Milan and Some Dates
Holstebro and Carpignano Salentino
The Transmission of Experience
Exercises and Principles
Slow Motion
Composition
Introversion and Extroversion
Denmark
Geronimo and Street Theatre
Sources of Inspiration
Dialogue with Tiredness
Segmentation
Being Decisive
Thought in Action
Improvisations
Individual Improvisation
Composing a Character
A Little Digression into Private Life
Marble
Meeting the Asian Masters
Judith
Notes on Improvisation
The Voice in Training and in Performance
Salt
Our Chronic Life
Metamorphosis
Photographs: A Gallery of Characters
PART TWO: The Workshop
The Dance of Intentions
PART THREE: Perspectives
A Memory Not Only For and By Itself - A Note on Methodology by Francesca
Romana Rietti
Backward Steps - Epilogue by Nando Taviani
Photo credits
Acknowledgements
On Time and In Visibility: Training in Context - Foreword by Frank
Camilleri
Preface in the Form of a Letter from Eugenio Barba
PART ONE: The Story and the Training
Introduction
Milan and Some Dates
Holstebro and Carpignano Salentino
The Transmission of Experience
Exercises and Principles
Slow Motion
Composition
Introversion and Extroversion
Denmark
Geronimo and Street Theatre
Sources of Inspiration
Dialogue with Tiredness
Segmentation
Being Decisive
Thought in Action
Improvisations
Individual Improvisation
Composing a Character
A Little Digression into Private Life
Marble
Meeting the Asian Masters
Judith
Notes on Improvisation
The Voice in Training and in Performance
Salt
Our Chronic Life
Metamorphosis
Photographs: A Gallery of Characters
PART TWO: The Workshop
The Dance of Intentions
PART THREE: Perspectives
A Memory Not Only For and By Itself - A Note on Methodology by Francesca
Romana Rietti
Backward Steps - Epilogue by Nando Taviani
Photo credits
On Time and In Visibility: Training in Context - Foreword by Frank
Camilleri
Preface in the Form of a Letter from Eugenio Barba
PART ONE: The Story and the Training
Introduction
Milan and Some Dates
Holstebro and Carpignano Salentino
The Transmission of Experience
Exercises and Principles
Slow Motion
Composition
Introversion and Extroversion
Denmark
Geronimo and Street Theatre
Sources of Inspiration
Dialogue with Tiredness
Segmentation
Being Decisive
Thought in Action
Improvisations
Individual Improvisation
Composing a Character
A Little Digression into Private Life
Marble
Meeting the Asian Masters
Judith
Notes on Improvisation
The Voice in Training and in Performance
Salt
Our Chronic Life
Metamorphosis
Photographs: A Gallery of Characters
PART TWO: The Workshop
The Dance of Intentions
PART THREE: Perspectives
A Memory Not Only For and By Itself - A Note on Methodology by Francesca
Romana Rietti
Backward Steps - Epilogue by Nando Taviani
Photo credits