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This vintage book contains a collection of one hundred poems by the fifteenth-century Indian poet Kabir, translated in 1915 by Rabindranath Tagore. These fantastic poems explore Hindu and Sufi philosophies and are highly recommended for all poetry lovers. Kabir's work significantly influenced Hinsuism's Bhakti movement and his writings are prominent in the Sikh scripture Adi Granth. Contents include: "mo ko kahân dhûnro bande", "Santan jât na pûcho nirguniyân", "sâdho bhâî, jîval hî karo âs'â", "bâgo nâ jâ re nâ jâ", "avadhû, mâyâ tajî na jây", "candâ jhalkai yahi ghat mâhîn", "Sâdho, Brahm…mehr

Produktbeschreibung
This vintage book contains a collection of one hundred poems by the fifteenth-century Indian poet Kabir, translated in 1915 by Rabindranath Tagore. These fantastic poems explore Hindu and Sufi philosophies and are highly recommended for all poetry lovers. Kabir's work significantly influenced Hinsuism's Bhakti movement and his writings are prominent in the Sikh scripture Adi Granth. Contents include: "mo ko kahân dhûnro bande", "Santan jât na pûcho nirguniyân", "sâdho bhâî, jîval hî karo âs'â", "bâgo nâ jâ re nâ jâ", "avadhû, mâyâ tajî na jây", "candâ jhalkai yahi ghat mâhîn", "Sâdho, Brahm alakh lakhâyâ", "is ghat antar bâg bagîce", "aisâ lo nahîn taisâ lo", "tohi mori lagan lagâye re phakîr wâ". Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction.
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Autorenporträt
Rabindranath Tagore, was a polymath, poet, musician, and artist from the Indian subcontinent. He reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful verse" of Gitanjali, he became in 1913 the first non-European to win the Nobel Prize in Literature.[7] Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.[8] He is sometimes referred to as "the Bard of Bengal".[9] A Brahmo Hindu from Calcutta with ancestral gentry roots in Burdwan District[10] and Jessore, Tagore wrote poetry as an eight-year-old.[11] At the age of sixteen, he released his first substantial poems under the pseudonym Bhanusi¿ha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist, internationalist, and ardent anti-nationalist, he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in the institution he founded, Visva-Bharati University. Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed-or panned-for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla. The Sri Lankan national anthem was inspired by his work