Features contributions from 33 renowned film scholars from four continents who have opened Bazin up in this new century, tracing his lineage, debating his aesthetics, locating him in the rich cultural moment of postwar France, and tracking the effect of his thought around the world.
Features contributions from 33 renowned film scholars from four continents who have opened Bazin up in this new century, tracing his lineage, debating his aesthetics, locating him in the rich cultural moment of postwar France, and tracking the effect of his thought around the world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dudley Andrew: an Officier de l'ordre des arts et des lettres (French Ministry of Culture and Communication) and inductee into the America Academy of Arts and Sciences. He has published The Major Film Theories, Concepts of Film Theory, and Andre Bazin, all with OUP as well as books on major filmmakers and 30s French culture (with Princeton, Harvard, and the BFI). Hervé Joubert-Laurencin: a leading authority in France on Bazin as well as a specialist on the work of Pasolini. Publications include Pasolini: Portrait du poete en cineaste (1995 Diffusion Seuil), and La lettre volante: Quatre essais sur le cinema d'animation (1997 Presses de la Sorbonne nouvelle)
Inhaltsangabe
* Acknowledgments * Andrew and Joubert-Laurencin A Binocular Preface * 1.: Lineage * Thomas Elsaesser A Bazinian Half-Century * Ludovic Cortade Cinema Across Fault Lines: Bazin and the French School of Geography * Tom Conley Evolution and Event in Qu'est-ce que le cinéma? * Jean-François Chevrier The Reality of Hallucination in André Bazin * Monica Dall'Asta Beyond the Image in Benjamin and Bazin: the Aura of the Event * Colin MacCabe Bazin as Modernist * Jean-Michel Frodon Film and Plaster: the Mould of History * Diane Arnaud From Bazin to Deleuze. A Matter of Depth * Louis-Georges Schwartz Deconstruction avant la lettre: Jacques Derrida before André Bazin * 2.: Aesthetics * Philip Rosen Belief in Bazin * Tom Gunning The World in its Own Image: The Myth of Total Cinema * Daniel Morgan The Afterlife of Superimposition * Angela Dalle Vacche The Difference of Cinema in the System of the Arts * Dudley Andrew Malraux, Bazin, and the Gesture of Picasso * Noa Steimatsky Incoherent Spasms and the Dignity of Signs: Bazin's Bresson * Seung-hoon Jeong Animals: an Adventure in Bazin's Ontology * Ivone Margulies Bazin's Exquisite Corpses * Hervé Joubert-Laurencin Re-Writing the Image: Two Effects of the Future-Perfect in André Bazin * 3.: Historical Moment * Philip Watts The Eloquent Image: The Postwar Mission of Film and of Criticism * Antoine de Baecque Bazin in Combat * Marc Vernet Bazin the Censor? * Jeremi Szaniawski Waves of Crisis in French Cinema * Rochelle Fack Bazin's Chaplin Myth and the Corrosive Lettrists * Steven Ungar Radical Ambitions in Postwar French Documentary * Grant Wiedenfeld Bazin on the Margins of the 7th Art * Michael Cramer Television and the Auteur in the late Fifties * James Tweedie André Bazin's Bad Taste * 4.: Worldwide Influence * John MacKay Montage Under Suspicion: Bazin's Russo-Soviet Reception * Alice Lovejoy From Ripples to Waves: Bazin in Eastern Europe * Ismail Xavier Bazin in Brazil: a Welcome Visitor * Cecile Lagesse Bazin and the Politics of Realism in Mainland China * Kan Nozaki Japanese Readings: the Textual Thread * Ryan Cook Japanese Lessons: Bazin's Cinematic Cosmopolitanism * Index
* Acknowledgments * Andrew and Joubert-Laurencin A Binocular Preface * 1.: Lineage * Thomas Elsaesser A Bazinian Half-Century * Ludovic Cortade Cinema Across Fault Lines: Bazin and the French School of Geography * Tom Conley Evolution and Event in Qu'est-ce que le cinéma? * Jean-François Chevrier The Reality of Hallucination in André Bazin * Monica Dall'Asta Beyond the Image in Benjamin and Bazin: the Aura of the Event * Colin MacCabe Bazin as Modernist * Jean-Michel Frodon Film and Plaster: the Mould of History * Diane Arnaud From Bazin to Deleuze. A Matter of Depth * Louis-Georges Schwartz Deconstruction avant la lettre: Jacques Derrida before André Bazin * 2.: Aesthetics * Philip Rosen Belief in Bazin * Tom Gunning The World in its Own Image: The Myth of Total Cinema * Daniel Morgan The Afterlife of Superimposition * Angela Dalle Vacche The Difference of Cinema in the System of the Arts * Dudley Andrew Malraux, Bazin, and the Gesture of Picasso * Noa Steimatsky Incoherent Spasms and the Dignity of Signs: Bazin's Bresson * Seung-hoon Jeong Animals: an Adventure in Bazin's Ontology * Ivone Margulies Bazin's Exquisite Corpses * Hervé Joubert-Laurencin Re-Writing the Image: Two Effects of the Future-Perfect in André Bazin * 3.: Historical Moment * Philip Watts The Eloquent Image: The Postwar Mission of Film and of Criticism * Antoine de Baecque Bazin in Combat * Marc Vernet Bazin the Censor? * Jeremi Szaniawski Waves of Crisis in French Cinema * Rochelle Fack Bazin's Chaplin Myth and the Corrosive Lettrists * Steven Ungar Radical Ambitions in Postwar French Documentary * Grant Wiedenfeld Bazin on the Margins of the 7th Art * Michael Cramer Television and the Auteur in the late Fifties * James Tweedie André Bazin's Bad Taste * 4.: Worldwide Influence * John MacKay Montage Under Suspicion: Bazin's Russo-Soviet Reception * Alice Lovejoy From Ripples to Waves: Bazin in Eastern Europe * Ismail Xavier Bazin in Brazil: a Welcome Visitor * Cecile Lagesse Bazin and the Politics of Realism in Mainland China * Kan Nozaki Japanese Readings: the Textual Thread * Ryan Cook Japanese Lessons: Bazin's Cinematic Cosmopolitanism * Index
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