Explores the cultural life of Italian opera in late eighteenth-century London.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ian Woodfield is Professor of Historical Musicology at The Queen's University of Belfast.
Inhaltsangabe
List of tables List of musical examples Acknowledgements A note on conventions Introduction 1. The Hobart management 2. The new managers take control 3. Sacchini and the revival of opera seria 4. Recruitment procedures and artistic policy 5. The King's Theatre in crisis 6. The recruitment of Lovattini 7. The English community in Rome 8. Lucrezia Agujari at the Pantheon 9. Caterina Gabrielli 10. Rauzzini's last season 11. The King's Theatre flourishes 12. The Queen of Quavers satire 13. Financial management 14. Opera salaries 15. The sale of 1778 Appendices Notes Bibliography Index.
List of tables List of musical examples Acknowledgements A note on conventions Introduction 1. The Hobart management 2. The new managers take control 3. Sacchini and the revival of opera seria 4. Recruitment procedures and artistic policy 5. The King's Theatre in crisis 6. The recruitment of Lovattini 7. The English community in Rome 8. Lucrezia Agujari at the Pantheon 9. Caterina Gabrielli 10. Rauzzini's last season 11. The King's Theatre flourishes 12. The Queen of Quavers satire 13. Financial management 14. Opera salaries 15. The sale of 1778 Appendices Notes Bibliography Index.
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