Opera, Emotion, and the Antipodes Volume II
Applied Perspectives: Compositions and Performances
Herausgeber: Davidson, Jane W; Rocke, Stephanie; Halliwell, Michael
Opera, Emotion, and the Antipodes Volume II
Applied Perspectives: Compositions and Performances
Herausgeber: Davidson, Jane W; Rocke, Stephanie; Halliwell, Michael
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Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance, but are at least partly produced, defined, and regulated by culture.
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Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance, but are at least partly produced, defined, and regulated by culture.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 250
- Erscheinungstermin: 31. Dezember 2020
- Englisch
- Abmessung: 236mm x 155mm x 18mm
- Gewicht: 458g
- ISBN-13: 9780367476977
- ISBN-10: 0367476975
- Artikelnr.: 60041523
- Verlag: Taylor & Francis
- Seitenzahl: 250
- Erscheinungstermin: 31. Dezember 2020
- Englisch
- Abmessung: 236mm x 155mm x 18mm
- Gewicht: 458g
- ISBN-13: 9780367476977
- ISBN-10: 0367476975
- Artikelnr.: 60041523
Jane W. Davidson has performed in and directed opera for more than 30 years. She is currently Head of Performing Arts at the University of Melbourne's Conservatorium of Music. She has published widely, across the field of music psychology, musicology and practice as research. She is president of the Australian Music and Psychology Society. Michael Halliwell has enjoyed a career as an opera singer in Europe and as an academic at the University of Sydney Conservatorium of Music. He has published widely and is president of the International Association for Word and Music Studies. Stephanie Rocke is a Research Fellow at the University of Melbourne affiliated with the ARC Centre of Excellence for the History of Emotions, with wide-ranging interests and publications in music and culture across time.
Part 1 Australian Composers and their Operas
Chapter 1: From European Romantic to "Wild Colonial Boy"? John Antill and
Post-Colonial Australian Opera
David Symons
Chapter 2 The Voice of Emotion in Contemporary Australian Opera
Michael Halliwell
Chapter 3: Translating Page to Stage: Creating Emotionally Engaging Opera
for Children
Emma Jayakumar
Chapter 4: Speechless: An Operatic Response to Human Rights Abuse in
Twenty-first-century Australia
Joel Crotty and Cat Hope
Chapter 5: The Divorce: A Soap Opera
Helen Rusak
Part 2 Antipodean Performance and Practice
Chapter 6: From Patriotism to Alterity: Charting the Australian experience
of Purcell's Dido and Aeneas
Jane W. Davidson and Stephanie Rocke
Chapter 7: "Lamento d'Arianna": A Transhistorical Study of Staged Emotions
and Affective Audience Responses
Daniela Kaleva
Chapter 8: Assembling Voyage to the Moon: Emotion, Creativity and
Historicity in a New Australian Opera
Joseph Browning and Jane W Davidson
Chapter 9: Emotion as Multiple: Rehearsing Voyage to the Moon
Joseph Browning
Part 3 Collection Conclusions
Chapter 10: Antipodean Classification, the Emotions of Othering and
Multiculturalism
Stephanie Rocke
Chapter 11: What have we learnt about Emotions?
Jane W. Davidson, Michael Halliwell and Stephanie Rocke
Chapter 1: From European Romantic to "Wild Colonial Boy"? John Antill and
Post-Colonial Australian Opera
David Symons
Chapter 2 The Voice of Emotion in Contemporary Australian Opera
Michael Halliwell
Chapter 3: Translating Page to Stage: Creating Emotionally Engaging Opera
for Children
Emma Jayakumar
Chapter 4: Speechless: An Operatic Response to Human Rights Abuse in
Twenty-first-century Australia
Joel Crotty and Cat Hope
Chapter 5: The Divorce: A Soap Opera
Helen Rusak
Part 2 Antipodean Performance and Practice
Chapter 6: From Patriotism to Alterity: Charting the Australian experience
of Purcell's Dido and Aeneas
Jane W. Davidson and Stephanie Rocke
Chapter 7: "Lamento d'Arianna": A Transhistorical Study of Staged Emotions
and Affective Audience Responses
Daniela Kaleva
Chapter 8: Assembling Voyage to the Moon: Emotion, Creativity and
Historicity in a New Australian Opera
Joseph Browning and Jane W Davidson
Chapter 9: Emotion as Multiple: Rehearsing Voyage to the Moon
Joseph Browning
Part 3 Collection Conclusions
Chapter 10: Antipodean Classification, the Emotions of Othering and
Multiculturalism
Stephanie Rocke
Chapter 11: What have we learnt about Emotions?
Jane W. Davidson, Michael Halliwell and Stephanie Rocke
Part 1 Australian Composers and their Operas
Chapter 1: From European Romantic to "Wild Colonial Boy"? John Antill and
Post-Colonial Australian Opera
David Symons
Chapter 2 The Voice of Emotion in Contemporary Australian Opera
Michael Halliwell
Chapter 3: Translating Page to Stage: Creating Emotionally Engaging Opera
for Children
Emma Jayakumar
Chapter 4: Speechless: An Operatic Response to Human Rights Abuse in
Twenty-first-century Australia
Joel Crotty and Cat Hope
Chapter 5: The Divorce: A Soap Opera
Helen Rusak
Part 2 Antipodean Performance and Practice
Chapter 6: From Patriotism to Alterity: Charting the Australian experience
of Purcell's Dido and Aeneas
Jane W. Davidson and Stephanie Rocke
Chapter 7: "Lamento d'Arianna": A Transhistorical Study of Staged Emotions
and Affective Audience Responses
Daniela Kaleva
Chapter 8: Assembling Voyage to the Moon: Emotion, Creativity and
Historicity in a New Australian Opera
Joseph Browning and Jane W Davidson
Chapter 9: Emotion as Multiple: Rehearsing Voyage to the Moon
Joseph Browning
Part 3 Collection Conclusions
Chapter 10: Antipodean Classification, the Emotions of Othering and
Multiculturalism
Stephanie Rocke
Chapter 11: What have we learnt about Emotions?
Jane W. Davidson, Michael Halliwell and Stephanie Rocke
Chapter 1: From European Romantic to "Wild Colonial Boy"? John Antill and
Post-Colonial Australian Opera
David Symons
Chapter 2 The Voice of Emotion in Contemporary Australian Opera
Michael Halliwell
Chapter 3: Translating Page to Stage: Creating Emotionally Engaging Opera
for Children
Emma Jayakumar
Chapter 4: Speechless: An Operatic Response to Human Rights Abuse in
Twenty-first-century Australia
Joel Crotty and Cat Hope
Chapter 5: The Divorce: A Soap Opera
Helen Rusak
Part 2 Antipodean Performance and Practice
Chapter 6: From Patriotism to Alterity: Charting the Australian experience
of Purcell's Dido and Aeneas
Jane W. Davidson and Stephanie Rocke
Chapter 7: "Lamento d'Arianna": A Transhistorical Study of Staged Emotions
and Affective Audience Responses
Daniela Kaleva
Chapter 8: Assembling Voyage to the Moon: Emotion, Creativity and
Historicity in a New Australian Opera
Joseph Browning and Jane W Davidson
Chapter 9: Emotion as Multiple: Rehearsing Voyage to the Moon
Joseph Browning
Part 3 Collection Conclusions
Chapter 10: Antipodean Classification, the Emotions of Othering and
Multiculturalism
Stephanie Rocke
Chapter 11: What have we learnt about Emotions?
Jane W. Davidson, Michael Halliwell and Stephanie Rocke