Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s and the women who managed, sang in, and bankrolled these companies.
Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s and the women who managed, sang in, and bankrolled these companies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Katherine Preston, the David N. and Margaret C. Bottoms Professor at the College of William and Mary in Virginia, has long been interested in the musical culture of nineteenth-century America, and has conducted research and published extensively on that topic. Some of her books include Music for Hire: Professional Musicians in Washington, D. C. 1877-1900; Opera on the Road: Traveling Opera Troupes in the United States, 1825-1860; a co-edited facsimile edition of a binder's volume of sheet music, Emily's Songbook: Music in 1850s Albany and a scholarly edition of George Bristow's Symphony No. 2, 'The Jullien' as part of the MUSA series. Past-President of the Society for American Music, Preston has been the recipient of fellowships from the National Endowment for the Humanities, the National Humanities Center, and the Fulbright Foundation.
Inhaltsangabe
* Acknowledgements * List of Illustrations * List of Tables and Appendices * Introduction. * Chapter One. English-Language Opera in Post-War America * Chapter Two. The Renaissance of English Opera in America: Caroline Richings and * Euphrosyne Parepa-Rosa * Chapter Three. Foreign-Language Opera is Exclusive; Vernacular is 'For the People' * Chapter Four. Effie Over and the Boston Ideal Opera Company, 1879-1885. * Chapter Five. Emma Abbot, the 'People's Prima Donna' * Chapter Six. The American Opera Company: Good Intentions, Managerial Disaster * Chapter Seven. English-Language Opera at the End of the Century * Endnotes * Bibliography * Index
* Acknowledgements * List of Illustrations * List of Tables and Appendices * Introduction. * Chapter One. English-Language Opera in Post-War America * Chapter Two. The Renaissance of English Opera in America: Caroline Richings and * Euphrosyne Parepa-Rosa * Chapter Three. Foreign-Language Opera is Exclusive; Vernacular is 'For the People' * Chapter Four. Effie Over and the Boston Ideal Opera Company, 1879-1885. * Chapter Five. Emma Abbot, the 'People's Prima Donna' * Chapter Six. The American Opera Company: Good Intentions, Managerial Disaster * Chapter Seven. English-Language Opera at the End of the Century * Endnotes * Bibliography * Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497