Focusing on opera and modernism in postwar Venice, Boyd-Bennett challenges assumptions about music in the twentieth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Harriet Boyd-Bennett is Assistant Professor at the University of Nottingham. Prior to this she was Leverhulme Early Career Fellow at Nottingham and Junior Research Fellow at Christ Church, Oxford. She has published widely on music, culture and politics in Italy, modern opera performance and the musical avant-garde.
Inhaltsangabe
List of figures and music examples Acknowledgements Note on translations Introduction 1. Stravinsky's timely excavations, 1951 2. A Futura Memoria: Verdi's Attila, 1951 3. Spectral opera: Britten's The Turn of the Screw, 1954 4. Magic and realism in Prokofiev's The Fiery Angel, 1955 5. Open works/staging crisis, 1959 6. Noisy echoes in Luigi Nono's Intolleranza 1960, 1961 Bibliography.
List of figures and music examples Acknowledgements Note on translations Introduction 1. Stravinsky's timely excavations, 1951 2. A Futura Memoria: Verdi's Attila, 1951 3. Spectral opera: Britten's The Turn of the Screw, 1954 4. Magic and realism in Prokofiev's The Fiery Angel, 1955 5. Open works/staging crisis, 1959 6. Noisy echoes in Luigi Nono's Intolleranza 1960, 1961 Bibliography.
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