Opera in the British Isles, 1875-1918 - Rodmell, Paul
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While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained elusive. Paul Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory performed, social attitudes to opera, the activities of touring companies, and the position of British composers within this realm of activity.

Produktbeschreibung
While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained elusive. Paul Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory performed, social attitudes to opera, the activities of touring companies, and the position of British composers within this realm of activity.
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Autorenporträt
Paul Rodmell is Senior Lecturer in Music at the University of Birmingham, UK. He has previously published Charles Villiers Stanford and Music and Institutions in Nineteenth-Century Britain (both Ashgate). Paul has also contributed to other volumes, writing on concert and operatic culture in the British Isles in the nineteenth century.