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Opera in the Jazz Age: Cultural Politics in 1920s Britain explores the interaction between opera and popular culture at a moment when there was a growing imperative to categorize art forms as "highbrow," "middlebrow," or "lowbrow." In this provocative and timely study, Alexandra Wilson considers how the opera debate of the 1920s continues to shape the ways in which we discuss the art form, and draws connections between the battle of the brows and present-daydiscussions about elitism.

Produktbeschreibung
Opera in the Jazz Age: Cultural Politics in 1920s Britain explores the interaction between opera and popular culture at a moment when there was a growing imperative to categorize art forms as "highbrow," "middlebrow," or "lowbrow." In this provocative and timely study, Alexandra Wilson considers how the opera debate of the 1920s continues to shape the ways in which we discuss the art form, and draws connections between the battle of the brows and present-daydiscussions about elitism.
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Autorenporträt
Alexandra Wilson is a musicologist and cultural historian, with research interests focusing primarily upon opera and operatic culture from the nineteenth century to the present. She is Professor of Music at Oxford Brookes University (UK), where she also co-directs the OBERTO opera research unit. Her first monograph The Puccini Problem: Opera, Nationalism, and Modernity (Cambridge University Press) was awarded the American Musicological Society's Lewis Lockwood Award for a work of outstanding musical scholarship. Alexandra has a high profile as a public musicologist: she has presented numerous broadcasts for BBC Radio 3 and has written programme essays and given talks for the UK's leading opera companies.