Cormac Newark has published widely on nineteenth-century French and Italian opera: his work has appeared in 19th-Century Music, the Cambridge Opera Journal and the Journal of the Royal Musical Association, and in various collections of essays. He has also written for Opera magazine and the Guardian. He currently teaches at the University of Ulster.
Inhaltsangabe
Introduction 1. Balzac, Meyerbeer and science 2. 'Tout entier?': scenes from grand opéra in Dumas and Balzac 3. The novel in opera: residues of reading in Flaubert 4. Knowing what happens next: opera in Verne 5. 'Vous qui faites l'endormie': the Phantom and the buried voices of the Paris Opéra 6. Proust and the soirée à l'Opéra chez soi Envoi Bibliography.
Introduction 1. Balzac, Meyerbeer and science 2. 'Tout entier?': scenes from grand opéra in Dumas and Balzac 3. The novel in opera: residues of reading in Flaubert 4. Knowing what happens next: opera in Verne 5. 'Vous qui faites l'endormie': the Phantom and the buried voices of the Paris Opéra 6. Proust and the soirée à l'Opéra chez soi Envoi Bibliography.
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