Opera Indigene: Re/presenting First Nations and Indigenous Cultures
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The representation of non-Western cultures in opera has long been a focus of critical inquiry. This title addresses the historical depictions of indigenous cultures in opera and the contemporary hybridizations of the form by indigenous and First Nations artists.

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Produktbeschreibung
The representation of non-Western cultures in opera has long been a focus of critical inquiry. This title addresses the historical depictions of indigenous cultures in opera and the contemporary hybridizations of the form by indigenous and First Nations artists.
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Autorenporträt
Pamela Karantonis is Senior Lecturer in Voice at Bath Spa University, UK. She is a Convenor of the Music Theatre Working Group of The International Federation for Theatre Research. She is joint editor and contributing author for Cathy Berberian: Pioneer of Contemporary Vocality (Ashgate, 2014) and The Legacy of Opera (2013). Dylan Robinson has held research positions as a Postdoctoral Fellow at the University of Toronto's Faculty of Music and as a Visiting Scholar in Canadian Studies at the University of California, Berkeley. He is currently working on a book that investigates the degree to which musical reconciliation in Canada reflects a process of restorative justice. His research theorizes how Indigenous epistemology and worldviews might impact upon the re-telling of music history in North America.