Ottenberg synthesizes material from a variety of sources--annals, memoirs, and scholarly sources--and, with them, weaves a coherent narrative of what was performed where, by whom, and what developments took place. Works, companies, and individual singers are discussed to reveal the 19th-century world of performance styles and audience expectations. This is a fascinating look at a relatively unexplored part of American musical and cultural history; the book casts new light on opera in America--its variety, popularity, and appeal to changing audiences throughout the century.
Ottenberg synthesizes material from a variety of sources--annals, memoirs, and scholarly sources--and, with them, weaves a coherent narrative of what was performed where, by whom, and what developments took place. Works, companies, and individual singers are discussed to reveal the 19th-century world of performance styles and audience expectations. This is a fascinating look at a relatively unexplored part of American musical and cultural history; the book casts new light on opera in America--its variety, popularity, and appeal to changing audiences throughout the century.
JUNE C. OTTENBERG is Professor of Music History Emerita at the Esther Boyer College of Music at Temple University, where she taught for many years. Her work with music in America has focused on musicians and music that immigrated to America from such places as England, Scotland, and Moravia. She contributes to various journals, has a chapter in the forthcoming Opera in the Golden West, and regularly publishes reviews of recordings in High/Performance Review.
Inhaltsangabe
Preface Introduction Setting the Stage English Influence to 1825 English and "Englished" Opera: 1825 1847 European versus English Style: 1847 1865 Contemporary European Opera: 1865 1883 A Turn to German Opera: 1883 1900 Epilogue Selected Bibliography Index
Preface Introduction Setting the Stage English Influence to 1825 English and "Englished" Opera: 1825 1847 European versus English Style: 1847 1865 Contemporary European Opera: 1865 1883 A Turn to German Opera: 1883 1900 Epilogue Selected Bibliography Index
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