Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic "experiences" outside the opera houses of Britain during the nineteenth century.
Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic "experiences" outside the opera houses of Britain during the nineteenth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Roberta Montemorra Marvin is a professor emerita of musicology at the Massachusetts (USA), affiliated Professor in International Studies at the University of Iowa (USA), and associate general editor for The Works of Giuseppe Verdi. She studies Italian opera of the nineteenth century with an emphasis on the reception and performance of Verdi's operas in Victorian Britain.
Inhaltsangabe
Introduction: Opera Outside the Box Roberta Montemorra Marvin Chapter 1. Of Shreds and Patches: Operatic Commonplaces in Early Nineteenth-Century Britain Edward Jacobson Chapter 2. Perceptions of Verdi in Victorian Britain Roberta Montemorra Marvin Chapter 3. Opera and British Choral Culture: Verdi's Requiem in London Chloe Valenti Chapter 4. "A Carnival or a Sacrament, a Fair or a Funeral:" The Prima Donna at the British Musical Festival, 1810-1834 Charles Edward McGuire Chapter 5. Adelaide Kemble and Opera Arias in Concert and Drawing Rooms Matildie Wium Chapter 6. Marie Wilton, La! Sonnambula! and the Opening of the Prince of Wales's Theatre in 1865 Valeria De Lucca Chapter 7. Friends and Visitors: Chamber Music, Concert Aesthetics, and the Conundrum of Operatic Song Christina Bashford Epilogue Roger Parker
Introduction: Opera Outside the Box Roberta Montemorra Marvin Chapter 1. Of Shreds and Patches: Operatic Commonplaces in Early Nineteenth-Century Britain Edward Jacobson Chapter 2. Perceptions of Verdi in Victorian Britain Roberta Montemorra Marvin Chapter 3. Opera and British Choral Culture: Verdi's Requiem in London Chloe Valenti Chapter 4. "A Carnival or a Sacrament, a Fair or a Funeral:" The Prima Donna at the British Musical Festival, 1810-1834 Charles Edward McGuire Chapter 5. Adelaide Kemble and Opera Arias in Concert and Drawing Rooms Matildie Wium Chapter 6. Marie Wilton, La! Sonnambula! and the Opening of the Prince of Wales's Theatre in 1865 Valeria De Lucca Chapter 7. Friends and Visitors: Chamber Music, Concert Aesthetics, and the Conundrum of Operatic Song Christina Bashford Epilogue Roger Parker
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