This book explores the tense relationship between opera and tragedy â often described as antithetical forms of theatre â from the 1630s to the 1780s.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Illustrations Acknowledgements Introduction Blair Hoxby 1. Machine Plays in France: Between Italian Opera and French Tragedy in Music Hélène Visentin 2. Opera, Tragedy, and Tragédie en Musique between Lully and Rameau Blair Hoxby 3. Tragedy in Flux Downing A. Thomas 4. Temptations of Love: Negotiating Tragic and Pastoral Inheritances at the Crossroads of Opera’s Early Modern History Stefanie Tcharos 5. Claiming Women’s Moral Agency: Luisa Bergalli as Poet Librettist Francesca Savoia 6. Metastasio’s Theatre and Early Modern Political Philosophy: Tyrannicide, Clemency, Natural Law Enrico Zucchi 7. Game of Thrones in the Russian Empire: Metastasio Revisited for St Petersburg Tatiana Korneeva 8. Recognition Scenes: Handel’s Oreste, Audience Reception, and Competition at the London Opera Robert C. Ketterer 9. Terror and Intoxication: Calzabigi’s Ipermestra o Le Danaidi (1778-1784) Magnus Tessing Schneider 10. From Serio to Sentimental: The Legacy of Tragic Opera in Carlo Goldoni’s Drammi Giocosi per Musica Pervinca Rista Bibliography Contributor List Index
Illustrations Acknowledgements Introduction Blair Hoxby 1. Machine Plays in France: Between Italian Opera and French Tragedy in Music Hélène Visentin 2. Opera, Tragedy, and Tragédie en Musique between Lully and Rameau Blair Hoxby 3. Tragedy in Flux Downing A. Thomas 4. Temptations of Love: Negotiating Tragic and Pastoral Inheritances at the Crossroads of Opera’s Early Modern History Stefanie Tcharos 5. Claiming Women’s Moral Agency: Luisa Bergalli as Poet Librettist Francesca Savoia 6. Metastasio’s Theatre and Early Modern Political Philosophy: Tyrannicide, Clemency, Natural Law Enrico Zucchi 7. Game of Thrones in the Russian Empire: Metastasio Revisited for St Petersburg Tatiana Korneeva 8. Recognition Scenes: Handel’s Oreste, Audience Reception, and Competition at the London Opera Robert C. Ketterer 9. Terror and Intoxication: Calzabigi’s Ipermestra o Le Danaidi (1778-1784) Magnus Tessing Schneider 10. From Serio to Sentimental: The Legacy of Tragic Opera in Carlo Goldoni’s Drammi Giocosi per Musica Pervinca Rista Bibliography Contributor List Index
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