This work explores the relationship between opera and psychoanalysis. Ziezek and Dolar consider, for example, death in opera and orgasm (the little death for which opera may be imagined to be a substitution), as well as the heralded "death of opera" and its cultural function.
This work explores the relationship between opera and psychoanalysis. Ziezek and Dolar consider, for example, death in opera and orgasm (the little death for which opera may be imagined to be a substitution), as well as the heralded "death of opera" and its cultural function.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Slavoj Zizek is Researcher at the University of Ljubljana. Among his many books are The Fragile Absolute and TheTicklish Subject. Mladen Dolar is Professor of Philosopy at the University of Ljubljana.
Inhaltsangabe
Introduction: For the Love of the Opera 1. Philosophy in the Opera Mladen Dolar 1.1 The Birth of Opera from the Spirit of Absolutism 1.2 Acheronta movebo 1.3 The Logic of Mercy 1.4 Opera buffa 1.5 Syntax 1.6 Die Entfuhrung aus dem Serail 1.7 Figaro 1.8 Don Giovanni 1.9 The Opera in Philosophy: Mozart and Kierkegaard 1.10 La femme machine 1.11 Machine in Love 1.12 A Philosopher in the Opera 1.13 Machine and Enjoyment 1.14 The Rationalistic Myth of the Enlightenment 1.15 He is a Man Even More, He is a Prince 1.16 Three Continuations 2. I Do Not Order My Dreams Slavoj Zizek 2.1 Death Drive and the Wagnerian Sublime The Forced Choice The Disavowal Deeper than the day could read The 'What Ifs' Tristan's Journey to the Bottom of the Night Transgression? No, thanks! Wagner's Sexualized Politics The Moebius Band 2.2 The Everlasting Irony of the Community Wagner with Kierkegaard Kundry's Laughter . . and her Kiss The Feminine versus Woman 2.3 Interlude: The Feminine Excess 2.4 Run, Isolde, Run The Cyberspace Tristan The Morning After It quacks, hoots, pants, and gasps The Separated Flames No More Running Notes Bibliography
Introduction: For the Love of the Opera 1. Philosophy in the Opera Mladen Dolar 1.1 The Birth of Opera from the Spirit of Absolutism 1.2 Acheronta movebo 1.3 The Logic of Mercy 1.4 Opera buffa 1.5 Syntax 1.6 Die Entfuhrung aus dem Serail 1.7 Figaro 1.8 Don Giovanni 1.9 The Opera in Philosophy: Mozart and Kierkegaard 1.10 La femme machine 1.11 Machine in Love 1.12 A Philosopher in the Opera 1.13 Machine and Enjoyment 1.14 The Rationalistic Myth of the Enlightenment 1.15 He is a Man Even More, He is a Prince 1.16 Three Continuations 2. I Do Not Order My Dreams Slavoj Zizek 2.1 Death Drive and the Wagnerian Sublime The Forced Choice The Disavowal Deeper than the day could read The 'What Ifs' Tristan's Journey to the Bottom of the Night Transgression? No, thanks! Wagner's Sexualized Politics The Moebius Band 2.2 The Everlasting Irony of the Community Wagner with Kierkegaard Kundry's Laughter . . and her Kiss The Feminine versus Woman 2.3 Interlude: The Feminine Excess 2.4 Run, Isolde, Run The Cyberspace Tristan The Morning After It quacks, hoots, pants, and gasps The Separated Flames No More Running Notes Bibliography
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