A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.
A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Rochester Studies in African History and the Diaspora
Introduction "Marvelous Muscles": A History of Ezekiel Dlamini, the Real "King Kong" Creating a "Back of the Moon": The Union of Southern African Artists and Interracial Collaboration Behind the "All-African" Musical "Quickly in Love": Popular Receptions of 1959 King Kong and Entertaining the Possibilities of a Different South Africa(s) "Kwela Kong": The Trials and Tribulations of a South African Musical Abroad in 1961 "Sad Times, Bad Times": Issues of Exile, the King Kong Cast, and South African Jazz in Britain, 1961-1980 "The Boy's [and Girl's] Doin' It":Moving to America and Re-Discovering Africa, 1960-1989 "Death Song": The 1979 Remake of King Kong And the Power of Cultural Memories Under Apartheid Bibliography
Introduction "Marvelous Muscles": A History of Ezekiel Dlamini, the Real "King Kong" Creating a "Back of the Moon": The Union of Southern African Artists and Interracial Collaboration Behind the "All-African" Musical "Quickly in Love": Popular Receptions of 1959 King Kong and Entertaining the Possibilities of a Different South Africa(s) "Kwela Kong": The Trials and Tribulations of a South African Musical Abroad in 1961 "Sad Times, Bad Times": Issues of Exile, the King Kong Cast, and South African Jazz in Britain, 1961-1980 "The Boy's [and Girl's] Doin' It":Moving to America and Re-Discovering Africa, 1960-1989 "Death Song": The 1979 Remake of King Kong And the Power of Cultural Memories Under Apartheid Bibliography
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