In its 13th Edition, the iconic Oral Interpretation continues to prepare students to analyze and perform literature through an accessible, step-by-step process. New selections join classic favorites, and chapters devoted to specific genres-narrative, poetry, group performance, and more-explore the unique challenges of each form.
In its 13th Edition, the iconic Oral Interpretation continues to prepare students to analyze and perform literature through an accessible, step-by-step process. New selections join classic favorites, and chapters devoted to specific genres-narrative, poetry, group performance, and more-explore the unique challenges of each form.
Timothy Gura is Emeritus Professor in the Department of Speech Communication Arts and Sciences at Brooklyn College, CUNY, in the USA. Benjamin Powell is Associate Professor of Speech, Communications, and Theatre Arts at City University of New York Borough of Manhattan Community College, in the USA.
Inhaltsangabe
Contents Why Do You Need This New Edition? To the Student To the Instructor PART ONE: Basic Principles chapter one A Beginning and an End chapter two Analyzing the Selection chapter three Voice Development for Oral Interpretation chapter four Use of the Body in Oral Interpretation PART TWO: Interpretation of Prose chapter five Prose: Style, Types, Nonfiction chapter six Prose: Narration PART THREE: Interpretation of Drama chapter seven Drama: Structure and Solo Performance chapter eight Technique and Solo Performance of Drama PART FOUR: Interpretation of Poetry chapter nine Language of Poetry chapter ten Structure of Poetry PART FIVE: Group Performance chapter eleven Group Performance of Literature appendix a Building and Presenting a Program appendix b A Brief History of Theories of Interpretation Acknowledgments Subject Index Author and Selection Index
Contents Why Do You Need This New Edition? To the Student To the Instructor PART ONE: Basic Principles chapter one A Beginning and an End chapter two Analyzing the Selection chapter three Voice Development for Oral Interpretation chapter four Use of the Body in Oral Interpretation PART TWO: Interpretation of Prose chapter five Prose: Style, Types, Nonfiction chapter six Prose: Narration PART THREE: Interpretation of Drama chapter seven Drama: Structure and Solo Performance chapter eight Technique and Solo Performance of Drama PART FOUR: Interpretation of Poetry chapter nine Language of Poetry chapter ten Structure of Poetry PART FIVE: Group Performance chapter eleven Group Performance of Literature appendix a Building and Presenting a Program appendix b A Brief History of Theories of Interpretation Acknowledgments Subject Index Author and Selection Index
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