Organising Music

Herausgeber: Beech, Nic; Gilmore, Charlotte

• Gebundenes Buch

Produktbeschreibung

This book applies organisation theory to the creative and performance aspects of music, through a dialogue between organisation theorists and practising musicians.

Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 446
• Erscheinungstermin: 12. Dezember 2014
• Englisch
• Abmessung: 235mm x 157mm x 28mm
• Gewicht: 794g
• ISBN-13: 9781107040953
• ISBN-10: 1107040957
• Artikelnr.: 41609559

Inhaltsangabe

1. Introduction Nic Beech, Stephen Broad, Ann Cunliffe, Celia Duffy and
Charlotte Gilmore; Part I. Orienting Ideas: Organisation and Organising: 2.
Music and the aesthetic study of organisational life Antonio Strati; 3.
Organising and storytelling David Sims; 4. Organising, music and metaphor:
of connections, comparisons and correspondences Cliff Oswick; 5. Resisting
change and changing resistance Robyn Thomas; 6. Identity work: organising
the self, organising music Christine Coupland; 7. Creative strategy Chris
Bilton and Steve Cummings; Markets and engagement between production and
consumption: 8. Music and the making of markets Katy J. Mason; 9. Consumers
and marketing Mike Saren; 10. Branding and the music market Chris Hackley;
11. Being in the room Alan McCusker Thompson; 12. Music and marketing Alan
Bradshaw; Organising in complex environments: 13. Complexity theory Robert
MacIntosh and Donald MacLean; 14. On leading in networks: the role of
reflexive practices Paul Hibbert; 15. All of me: art, industry and identity
struggles Casper Hoedemaekers and Sierk Ybema; 16. The process of
improvisation Simon Rose and Raymond MacDonald; 17. Managing artistic work
in the real world Davide Nicolini and Gail Greig; Part II. Tales of
Experience: Organising and Performing: 18. Organising playing: reflections
on the festival business Nod Knowles; Organising music festivals Louise
Mitchell and Dimi Stoyanova Russell; Organising and playing a boutique
festival Johnny Lynch and Gretchen Larsen; Managing the Zoeys: some
reminiscences Martin Cloonan; Managing a punk band Marco Panagopoulos and
Shiona Chillas; Blogging, running a label and band management Lloyd
Meredith and Shiona Chillas; The organising and artistic demands of
orchestral performances Simon Webb and Martin Dowling; Leadership in the
BBC Philharmonic Richard Wigley and Elizabeth Gulledge; Orchestrating a
flashmob: reach and reputation Jane Donald and Gail Grieg; Developing a
university's musical culture: a partnership approach Michael Downes;
Organising the National Pop League events John Hunt, Carlo Zanotti and
Charlotte Gilmore; Starting record label: Song by Toad Matthew Young and
Dimi Stoyanova Russell; 19. Playing and organising: traditional music and
the network Lori Watson and Charlotte Gilmore; Multiple simultaneous
projects in traditional and electronica and orchestral music Chris Stout
and Charlotte Gilmore; Storytelling and performance R. M. Hubbert and
Elizabeth Gulledge; Creating and making an album Jenny Reeve and Charlotte
Gilmore; Relationships between music, management, agents and labels Jill
O'Sullivan and Shiona Chillas; Dead or American: reasons to be fearless
Chris Cusak; Experiencing a creative journey Martin Henry and Daragh
O'Reilly; Musical identity: solo artist and band projects Ben Talbot Dunn
and Kevina Cody; An embodiment of a band Duglas T. Stewart, Charlotte
Gilmore and Peter Keenan; Rock music on the big stage Jim Prime and Peter
Keenan; Playing in the Royal Scottish National Orchestra Lance Green, Katy
MacKintosh and Charlotte Gilmore; Reflections of a gigging musician Ian
Smith and Charlotte Gilmore; 20. Next steps in the dialogue: insights for
practising and theorising Charlotte Gilmore and Nic Beech; Index.