Barbara Fryzel, Aleksander Marcinkowski

Organizational Aesthetics

Artful Visual Representations of Business and Organizations

• Gebundenes Buch

Produktbeschreibung

Organizational Aesthetics attempts to reconstruct artful representations of the organizational world and businesspeople.

Produktdetails

• Routledge Focus on Business and Management
• Verlag: Taylor & Francis Ltd
• Seitenzahl: 130
• Erscheinungstermin: 6. Juni 2024
• Englisch
• Abmessung: 223mm x 143mm x 14mm
• Gewicht: 288g
• ISBN-13: 9781032792354
• ISBN-10: 1032792353
• Artikelnr.: 70148275

Autorenporträt

Barbara Fryzel, PhD, dr habil. is an economist and an associate professor at Jagiellonian University in Krakow. She has multiple years of managerial experience in international corporations. She is a laureate of the Foundation for Polish Science and was a visiting post-doc scholar at University College London. Her interests include organizational culture, corporate social responsibility, and behavioural ethics. Aleksander MarcinkowskiPh.D., is Senior Lecturer at the Jagiellonian University. His research interests include sociology of organization, organizational culture, and entrepreneurship. He has participated in international research projects on attitudes towards entrepreneurship (in cooperation with Michigan University), on the role of traditional industrial branches in the contemporary European economy (V Framework Program of EU) and on Institutional Development Programs in state and self-government administration (multilateral research done in cooperation with University of Economics, Kraków, Canadian Urban Institute and Polish Ministry of Home Aff airs). He was a visiting scholar at the Johns Hopkins University - Bologna Center.

Inhaltsangabe

Introduction. Watching from the riverbank 1. Knowledge hidden in sight 2.
Constructing research programmes. Facing methodological requirements 3.
Methodology of visual experiences in management research and dialogue on
the arts 4. Palaces and cathedrals of finance, temples of trade Paintings
and photographs Conclusion. Looking at ourselves in the pupil