Orientalism and Reverse Orientalism in Literature and Film
Beyond East and West
Herausgeber: Wilson, Bernard; Gabriel, Sharmani Patricia
Orientalism and Reverse Orientalism in Literature and Film
Beyond East and West
Herausgeber: Wilson, Bernard; Gabriel, Sharmani Patricia
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Acknowledging the significance of Edward Saidâ s Orientalism for contemporary discourse, the contributors to this volume deconstruct, rearrange and challenge elements of his thesis, looking at the new conditions and opportunities offered by globalization.
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Acknowledging the significance of Edward Saidâ s Orientalism for contemporary discourse, the contributors to this volume deconstruct, rearrange and challenge elements of his thesis, looking at the new conditions and opportunities offered by globalization.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Interdisciplinary Perspectives on Literature
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 214
- Erscheinungstermin: 31. Mai 2023
- Englisch
- Abmessung: 233mm x 156mm x 17mm
- Gewicht: 366g
- ISBN-13: 9780367615246
- ISBN-10: 036761524X
- Artikelnr.: 67822627
- Routledge Interdisciplinary Perspectives on Literature
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 214
- Erscheinungstermin: 31. Mai 2023
- Englisch
- Abmessung: 233mm x 156mm x 17mm
- Gewicht: 366g
- ISBN-13: 9780367615246
- ISBN-10: 036761524X
- Artikelnr.: 67822627
Sharmani Patricia Gabriel is Professor of English at Universiti Malaya, Malaysia. Bernard Wilson teaches at Gakushuin University, Tsuda University, and the University of the Sacred Heart, Japan.
1. Introduction: Resisting Orientalism; Part I: (Neo)Imperial Desire and
Re(pro)ductive Stereotypes; 2. Masquerade, Mise-en-Scène and Female Harem
Desire in Abdul the Damned (1935); 3. Zen and the Art of Cultural Cliché:
Three Cinematic Pilgrimages to Japan in the New Millennium; 4. "Putting it
My Way, but Nicely": Neocolonialism in Feminist Clothing in Andy Tennant's
Anna and the King (1999) and Rodgers and Hammerstein's The King and I
(1956); Part II: East-West Travel and Cultural Translation; 5. Steinbeck's
East of Eden: Progenitor of Chinese American Intertextual and Intercultural
Encounters; 6. "The Impossibility of Knowing": Exoticism and East-West
Intersections in the Travel Writings of Victor Segalen; 7. A Passage to the
West: Globalization and the Refugee Crisis in Mohsin Hamid's Exit West; 8.
"Make the Best of Both Worlds": Utopianism in Aldous Huxley's Island and D.
T. Suzuki's Social Thought; 9. Remote Translators: Translational Life
Narrative in Edward Seidensticker and Donald Richie; Part III: Re-Orienting
National History and Glocalizing Contexts; 10. Rethinking Rural China:
Zhang Yimou's Red Sorghum and the Roots-Searching Movement in a
Post-Cultural Revolution Context; 11. China's Orient in Fan de Siècle
Culture; 12. Reorienting Sinophone America through "Sinophone Orientalism";
13. Between Script and Genre: A Space Where East Meets West; Index
Re(pro)ductive Stereotypes; 2. Masquerade, Mise-en-Scène and Female Harem
Desire in Abdul the Damned (1935); 3. Zen and the Art of Cultural Cliché:
Three Cinematic Pilgrimages to Japan in the New Millennium; 4. "Putting it
My Way, but Nicely": Neocolonialism in Feminist Clothing in Andy Tennant's
Anna and the King (1999) and Rodgers and Hammerstein's The King and I
(1956); Part II: East-West Travel and Cultural Translation; 5. Steinbeck's
East of Eden: Progenitor of Chinese American Intertextual and Intercultural
Encounters; 6. "The Impossibility of Knowing": Exoticism and East-West
Intersections in the Travel Writings of Victor Segalen; 7. A Passage to the
West: Globalization and the Refugee Crisis in Mohsin Hamid's Exit West; 8.
"Make the Best of Both Worlds": Utopianism in Aldous Huxley's Island and D.
T. Suzuki's Social Thought; 9. Remote Translators: Translational Life
Narrative in Edward Seidensticker and Donald Richie; Part III: Re-Orienting
National History and Glocalizing Contexts; 10. Rethinking Rural China:
Zhang Yimou's Red Sorghum and the Roots-Searching Movement in a
Post-Cultural Revolution Context; 11. China's Orient in Fan de Siècle
Culture; 12. Reorienting Sinophone America through "Sinophone Orientalism";
13. Between Script and Genre: A Space Where East Meets West; Index
1. Introduction: Resisting Orientalism; Part I: (Neo)Imperial Desire and
Re(pro)ductive Stereotypes; 2. Masquerade, Mise-en-Scène and Female Harem
Desire in Abdul the Damned (1935); 3. Zen and the Art of Cultural Cliché:
Three Cinematic Pilgrimages to Japan in the New Millennium; 4. "Putting it
My Way, but Nicely": Neocolonialism in Feminist Clothing in Andy Tennant's
Anna and the King (1999) and Rodgers and Hammerstein's The King and I
(1956); Part II: East-West Travel and Cultural Translation; 5. Steinbeck's
East of Eden: Progenitor of Chinese American Intertextual and Intercultural
Encounters; 6. "The Impossibility of Knowing": Exoticism and East-West
Intersections in the Travel Writings of Victor Segalen; 7. A Passage to the
West: Globalization and the Refugee Crisis in Mohsin Hamid's Exit West; 8.
"Make the Best of Both Worlds": Utopianism in Aldous Huxley's Island and D.
T. Suzuki's Social Thought; 9. Remote Translators: Translational Life
Narrative in Edward Seidensticker and Donald Richie; Part III: Re-Orienting
National History and Glocalizing Contexts; 10. Rethinking Rural China:
Zhang Yimou's Red Sorghum and the Roots-Searching Movement in a
Post-Cultural Revolution Context; 11. China's Orient in Fan de Siècle
Culture; 12. Reorienting Sinophone America through "Sinophone Orientalism";
13. Between Script and Genre: A Space Where East Meets West; Index
Re(pro)ductive Stereotypes; 2. Masquerade, Mise-en-Scène and Female Harem
Desire in Abdul the Damned (1935); 3. Zen and the Art of Cultural Cliché:
Three Cinematic Pilgrimages to Japan in the New Millennium; 4. "Putting it
My Way, but Nicely": Neocolonialism in Feminist Clothing in Andy Tennant's
Anna and the King (1999) and Rodgers and Hammerstein's The King and I
(1956); Part II: East-West Travel and Cultural Translation; 5. Steinbeck's
East of Eden: Progenitor of Chinese American Intertextual and Intercultural
Encounters; 6. "The Impossibility of Knowing": Exoticism and East-West
Intersections in the Travel Writings of Victor Segalen; 7. A Passage to the
West: Globalization and the Refugee Crisis in Mohsin Hamid's Exit West; 8.
"Make the Best of Both Worlds": Utopianism in Aldous Huxley's Island and D.
T. Suzuki's Social Thought; 9. Remote Translators: Translational Life
Narrative in Edward Seidensticker and Donald Richie; Part III: Re-Orienting
National History and Glocalizing Contexts; 10. Rethinking Rural China:
Zhang Yimou's Red Sorghum and the Roots-Searching Movement in a
Post-Cultural Revolution Context; 11. China's Orient in Fan de Siècle
Culture; 12. Reorienting Sinophone America through "Sinophone Orientalism";
13. Between Script and Genre: A Space Where East Meets West; Index