Mary K. Coffey examines José Clemente Orozco's mural cycle Epic of American Civilization, which indicts history as complicit in colonial violence and questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project.
Mary K. Coffey examines José Clemente Orozco's mural cycle Epic of American Civilization, which indicts history as complicit in colonial violence and questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mary K. Coffey is Associate Professor of Art History at Dartmouth College. She is the author of How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State, also published by Duke University Press, and coeditor of Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms.
Inhaltsangabe
List of Illustrations ix Preface xv Acknowledgments xvii Introduction 1 1. Orozco's Melancholy Dialectics 43 2. Colonial Melancholy and the Myth of Quetzalcoatl 79 3. American Modernity and the Play of Mourning 123 4. "Modern Industrial Man" and the Melancholy of Race in America 207 Conclusion 261 Notes 287 Bibliography 325 Index
List of Illustrations ix Preface xv Acknowledgments xvii Introduction 1 1. Orozco's Melancholy Dialectics 43 2. Colonial Melancholy and the Myth of Quetzalcoatl 79 3. American Modernity and the Play of Mourning 123 4. "Modern Industrial Man" and the Melancholy of Race in America 207 Conclusion 261 Notes 287 Bibliography 325 Index
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