Examines the origins of 'tectonics' as concept and ideal in early Modern architecture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Introduction 1. The opposite of the issue of style: necessity, unity, immanent coherence, the naked, simple and true 2. 'Tectonics' and the 'theory of raiment' 3. Disenchantment with 'Bötticher's overly intellectual work' and the postulation of a way to overcome the 'Semperian mechanistic conception of the essence of art' 4. 'Stilhülse und Kern': from theory to metaphor - and its deployment by Otto Wagner 5. Adolf Loos - against the Zeitgeist 6. '... ad usum Delphini' - the 'element event' of the Raiment Dissolved, and the ineluctable return - or recognized tenacity - of the Hull Anthology of primary sources.
Preface Introduction 1. The opposite of the issue of style: necessity, unity, immanent coherence, the naked, simple and true 2. 'Tectonics' and the 'theory of raiment' 3. Disenchantment with 'Bötticher's overly intellectual work' and the postulation of a way to overcome the 'Semperian mechanistic conception of the essence of art' 4. 'Stilhülse und Kern': from theory to metaphor - and its deployment by Otto Wagner 5. Adolf Loos - against the Zeitgeist 6. '... ad usum Delphini' - the 'element event' of the Raiment Dissolved, and the ineluctable return - or recognized tenacity - of the Hull Anthology of primary sources.
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