Our Lady of Everyday Life is an ethnographic study of three generations of Mexican origin women (college students, mothers, and older women) and their experiences growing up Catholic. The book focuses on their relationship with Our Lady of Guadalupe as central to what Castañeda-Liles calls their "Mexican Catholic imagination."
Our Lady of Everyday Life is an ethnographic study of three generations of Mexican origin women (college students, mothers, and older women) and their experiences growing up Catholic. The book focuses on their relationship with Our Lady of Guadalupe as central to what Castañeda-Liles calls their "Mexican Catholic imagination."
María Del Socorro Castañeda-Liles is Assistant Professor of Religious Studies at Santa Clara University.
Inhaltsangabe
* Acknowledgments * Introduction * Chapter 1: "Here It Is Told" * Chapter 2: Our Lady of Café con Leche: The Social Construction of Catholic Devotion * Chapter 3: Catholicizing Girlhood: Socializing Girls into Institutional Catholicism * Chapter 4: The Making of Girls in the Mexican Catholic Imagination: Obedience, Respect, and Responsibility * Chapter 5: Becoming Señoritas: If You Can't Talk About It in Church, You Can't Talk About It Anywhere * Chapter 6: Our Lady of Everyday Life * Chapter 7: Perceptions of Our Lady of Guadalupe's Relationship to Feminism: "The Time is Now" * Chapter 8: Why do they paint her this way? She is our mother * Conclusion * Appendix * Notes * Bibliography
* Acknowledgments * Introduction * Chapter 1: "Here It Is Told" * Chapter 2: Our Lady of Café con Leche: The Social Construction of Catholic Devotion * Chapter 3: Catholicizing Girlhood: Socializing Girls into Institutional Catholicism * Chapter 4: The Making of Girls in the Mexican Catholic Imagination: Obedience, Respect, and Responsibility * Chapter 5: Becoming Señoritas: If You Can't Talk About It in Church, You Can't Talk About It Anywhere * Chapter 6: Our Lady of Everyday Life * Chapter 7: Perceptions of Our Lady of Guadalupe's Relationship to Feminism: "The Time is Now" * Chapter 8: Why do they paint her this way? She is our mother * Conclusion * Appendix * Notes * Bibliography
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