The witch, the vampire and the werewolf endure as popular characters in modern horror. These "old monsters” have their origins in the writings of Aristotle as studied in the universities of medieval Europe, where 13th-century scholars reconciled works of natural philosophy and medicine with theological precepts.
The witch, the vampire and the werewolf endure as popular characters in modern horror. These "old monsters” have their origins in the writings of Aristotle as studied in the universities of medieval Europe, where 13th-century scholars reconciled works of natural philosophy and medicine with theological precepts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brenda S. Gardenour Walter is an associate professor of history at the Saint Louis College of Pharmacy with research interests in the role of Aristotelian discourse, learned medicine, scholastic theology and the continued influence of medieval otherness on the horror genre. She lives in Saint Louis, Missouri.
Inhaltsangabe
Table of Contents Preface 1 Introduction 3 Part I: Medieval Foundations 15 1. Upside-Down and Inside-Out: The Medieval Construction of Earthbound Evil 16 2. Satanic Cinema: His Legacy Is Legion 42 3. Wanton Flesh and Poisoned Breath: Crafting the Satanic Witch 68 4. Wicked Women: Female Flesh, the Satanic Witch and the Horror Film 98 Part II: Modern Permutations 135 5. The Transgressive Monster: From the Melancholic Jew to the Blood-Sucking Vampire 136 6. A Cursed Embodiment: Modernity, Medievalism and the Melancholic Werewolf 166 Epilogue 195 Chapter Notes 197 Bibliography 223 Filmography 234 Index 237
Table of Contents Preface 1 Introduction 3 Part I: Medieval Foundations 15 1. Upside-Down and Inside-Out: The Medieval Construction of Earthbound Evil 16 2. Satanic Cinema: His Legacy Is Legion 42 3. Wanton Flesh and Poisoned Breath: Crafting the Satanic Witch 68 4. Wicked Women: Female Flesh, the Satanic Witch and the Horror Film 98 Part II: Modern Permutations 135 5. The Transgressive Monster: From the Melancholic Jew to the Blood-Sucking Vampire 136 6. A Cursed Embodiment: Modernity, Medievalism and the Melancholic Werewolf 166 Epilogue 195 Chapter Notes 197 Bibliography 223 Filmography 234 Index 237
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