With its three-part rubric of London, drama, and space, this study brings to the currently vigorous critical discussion of Jonsonian authorship the sense of how another sort of dramatic text-that of London's spaces as interpreted through dramatic practice both in the streets of the city and on its stages-is also an integral factor in the emergence of the early modern author.
With its three-part rubric of London, drama, and space, this study brings to the currently vigorous critical discussion of Jonsonian authorship the sense of how another sort of dramatic text-that of London's spaces as interpreted through dramatic practice both in the streets of the city and on its stages-is also an integral factor in the emergence of the early modern author.
James Mardock is Associate Professor of English and Crowley Distinguished Professor of the Humanities at the University of Nevada, Reno, US.
Inhaltsangabe
Acknowledgments Introduction Chapter One: Space as Authorial Strategy Chapter Two: Londinium: the 1604 Royal Entry of James I Chapter Three: London on Stage, London as Stage Chapter Four: Jonson's Plague Year Plays Chapter Five: Practicers of their madness: Bartholomew Fair and the Space of the Author Epilogue: Beyond the 1616 Folio Notes Bibliography Index
Acknowledgments Introduction Chapter One: Space as Authorial Strategy Chapter Two: Londinium: the 1604 Royal Entry of James I Chapter Three: London on Stage, London as Stage Chapter Four: Jonson's Plague Year Plays Chapter Five: Practicers of their madness: Bartholomew Fair and the Space of the Author Epilogue: Beyond the 1616 Folio Notes Bibliography Index
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