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Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.
This ground-breaking book follows the rise of a distinctive school of Australian art that first emerged in the 1940s. It features 127 works by 61 artists, and includes concise artists' biographies and individual commentaries on the works.

Produktbeschreibung
Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.
This ground-breaking book follows the rise of a distinctive school of Australian art that first emerged in the 1940s. It features 127 works by 61 artists, and includes concise artists' biographies and individual commentaries on the works.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Stephen Coppel is the Jim Slaughter Curator of the modern collection of prints and drawings at the British Museum. His previous publications include Picasso and Printmaking in Paris, Hayward Gallery National Touring Exhibitions, and The American Scene: Prints from Hopper to Pollock, Avigdor Arikha From Life: Drawings and Prints 1965--2005 and Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas, all published by The British Museum Press. He is also the author of Linocuts of the Machine Age: Claude Flight and the Grosvenor School.