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Revision with unchanged content. Extensively researched in visual arts and literature, landscape still remains un explored territory in film studies. Out of Site: Landscape and Cultural Reflexi vity in New Hollywood Cinema 1969-1974 examines the rich possibilities of using landscape to open up new perspectives on the interrelations between popular film, fine arts and cultural identity. Departing from a discussion on the historical role landscape has played in cultural practices of self-representation and self-definition, Out of Site shows how landscape can be turned against itself to express…mehr

Produktbeschreibung
Revision with unchanged content. Extensively researched in visual arts and literature, landscape still remains un explored territory in film studies. Out of Site: Landscape and Cultural Reflexi vity in New Hollywood Cinema 1969-1974 examines the rich possibilities of using landscape to open up new perspectives on the interrelations between popular film, fine arts and cultural identity. Departing from a discussion on the historical role landscape has played in cultural practices of self-representation and self-definition, Out of Site shows how landscape can be turned against itself to express adversary and antagonistic views of national myths and media. In a number of close readings of key films from the late sixties and early seventies, a period of American filmmaking marked by an impulse for retrospection and self-examination, the book offers a variety of case studies of how landscape can be advanced to raise questions on the formation of narratives, identities and memories - and on our own habits of reading. With its interdisciplinary scope, Out of Site will interest students and scholars from a wide array of fields in cultural studies, aesthetics and media.
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Autorenporträt
Henrik Gustafsson (1973), Ph.D. Stockholm Cinema Studies, 2007. University Senior Lecturer at the Department of Culture, Aesthetics and Media, Gothenburg University and the Department of Cinema Studies, Stockholm University.