Out of Time?
Temporality In Disability Performance
Herausgeber: Wihstutz, Benjamin; Winter, Noa; Backhausen, Elena
Out of Time?
Temporality In Disability Performance
Herausgeber: Wihstutz, Benjamin; Winter, Noa; Backhausen, Elena
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The collective volume seeks to respond to these questions by exploring crip time in disability performance as both a concept and a phenomenon.
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The collective volume seeks to respond to these questions by exploring crip time in disability performance as both a concept and a phenomenon.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 218
- Erscheinungstermin: 29. November 2024
- Englisch
- Abmessung: 156mm x 233mm x 18mm
- Gewicht: 364g
- ISBN-13: 9781032220994
- ISBN-10: 1032220996
- Artikelnr.: 71911075
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 218
- Erscheinungstermin: 29. November 2024
- Englisch
- Abmessung: 156mm x 233mm x 18mm
- Gewicht: 364g
- ISBN-13: 9781032220994
- ISBN-10: 1032220996
- Artikelnr.: 71911075
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Elena Backhausen is a research assistant at the Institute of Film, Theatre, Media, and Cultural Studies at the Johannes Gutenberg University of Mainz. Benjamin Wihstutz is an Assistant Professor (Junorprofessor) of Theatre and Performance Studies at the University of Mainz, Germany. He is principal investigator within the Collaborative Research Centre (CRC 1482) "Humandifferenzierung" with a project on disability performance history, funded by the German Research Association. Noa Winter is a curator and dramaturg with a focus on disability arts and anti-ableism, based in Berlin, Germany.
Acknowledgements
Contributors Bio
Introduction
Part I: Crip Time in Pandemic Time
Chapter 1. Our Bodies Are the Archive: Crip Time in Pandemic Time and the
Materiality of Disability Performance
Carrie Sandahl
Chapter 2. Disability Culture in a Time of Pandemic
Jess Thom
Chapter 3. On imperfect flow: dis/ability performance in times of pandemic
Benjamin Wihstutz
Chapter 4. Crip Time
Petra Kuppers
Part II: Dramaturgies of Crip Time
Chapter 5. Dance, Disability and Keeping 'In Time' on Strictly
Sarah Whatley
Chapter 6. Off-beat bodies. Crip Choreography's Temporal Politicality
Michael Turinsky
Chapter 7. Imposed Tactlessness. Cursory Considerations on the Beyond of
Normative Time
Sandra Umathum
Chapter 8. Kairos Reconfigured: The Rhetoric of Actors with Intellectual
Disabilities Stepping In and Out of Theatrical Time
Tony McCaffrey
Chapter 9. On the temporality of stuttering
Elena Backhausen
Chapter 10. Time-Bound Yet Time-Less: Performing Crip Time at Blind Opera
and Anyadesh
Rajdeep Konar
Chapter 11. I Fall To Pieces
Kaite O'Reilly
Part III: Crip Time and Futurity
Chapter 12. Future Clinic for Critical Care: MOTHER - Exploring crip
maternal time in the theatre
Nina Mühlemann
Chapter 13. As Stiff Grew Stiffer: Theoretical and Practical Applications
of Theatrical Crip Time and Four-Dimensional Dramaturgy
John Michael Sefel and Rachael Herren
Chapter 14. Crip Time and the Creative Process - Choreography and
Performance as Sites for Exploring 'Normative' and 'Crip' Time and the
Disabled Dance-maker
Kate Marsh
Chapter 15. The Potential and Poetics of Rest
Raquel Meseguer Zafe
Index
Contributors Bio
Introduction
Part I: Crip Time in Pandemic Time
Chapter 1. Our Bodies Are the Archive: Crip Time in Pandemic Time and the
Materiality of Disability Performance
Carrie Sandahl
Chapter 2. Disability Culture in a Time of Pandemic
Jess Thom
Chapter 3. On imperfect flow: dis/ability performance in times of pandemic
Benjamin Wihstutz
Chapter 4. Crip Time
Petra Kuppers
Part II: Dramaturgies of Crip Time
Chapter 5. Dance, Disability and Keeping 'In Time' on Strictly
Sarah Whatley
Chapter 6. Off-beat bodies. Crip Choreography's Temporal Politicality
Michael Turinsky
Chapter 7. Imposed Tactlessness. Cursory Considerations on the Beyond of
Normative Time
Sandra Umathum
Chapter 8. Kairos Reconfigured: The Rhetoric of Actors with Intellectual
Disabilities Stepping In and Out of Theatrical Time
Tony McCaffrey
Chapter 9. On the temporality of stuttering
Elena Backhausen
Chapter 10. Time-Bound Yet Time-Less: Performing Crip Time at Blind Opera
and Anyadesh
Rajdeep Konar
Chapter 11. I Fall To Pieces
Kaite O'Reilly
Part III: Crip Time and Futurity
Chapter 12. Future Clinic for Critical Care: MOTHER - Exploring crip
maternal time in the theatre
Nina Mühlemann
Chapter 13. As Stiff Grew Stiffer: Theoretical and Practical Applications
of Theatrical Crip Time and Four-Dimensional Dramaturgy
John Michael Sefel and Rachael Herren
Chapter 14. Crip Time and the Creative Process - Choreography and
Performance as Sites for Exploring 'Normative' and 'Crip' Time and the
Disabled Dance-maker
Kate Marsh
Chapter 15. The Potential and Poetics of Rest
Raquel Meseguer Zafe
Index
Acknowledgements
Contributors Bio
Introduction
Part I: Crip Time in Pandemic Time
Chapter 1. Our Bodies Are the Archive: Crip Time in Pandemic Time and the
Materiality of Disability Performance
Carrie Sandahl
Chapter 2. Disability Culture in a Time of Pandemic
Jess Thom
Chapter 3. On imperfect flow: dis/ability performance in times of pandemic
Benjamin Wihstutz
Chapter 4. Crip Time
Petra Kuppers
Part II: Dramaturgies of Crip Time
Chapter 5. Dance, Disability and Keeping 'In Time' on Strictly
Sarah Whatley
Chapter 6. Off-beat bodies. Crip Choreography's Temporal Politicality
Michael Turinsky
Chapter 7. Imposed Tactlessness. Cursory Considerations on the Beyond of
Normative Time
Sandra Umathum
Chapter 8. Kairos Reconfigured: The Rhetoric of Actors with Intellectual
Disabilities Stepping In and Out of Theatrical Time
Tony McCaffrey
Chapter 9. On the temporality of stuttering
Elena Backhausen
Chapter 10. Time-Bound Yet Time-Less: Performing Crip Time at Blind Opera
and Anyadesh
Rajdeep Konar
Chapter 11. I Fall To Pieces
Kaite O'Reilly
Part III: Crip Time and Futurity
Chapter 12. Future Clinic for Critical Care: MOTHER - Exploring crip
maternal time in the theatre
Nina Mühlemann
Chapter 13. As Stiff Grew Stiffer: Theoretical and Practical Applications
of Theatrical Crip Time and Four-Dimensional Dramaturgy
John Michael Sefel and Rachael Herren
Chapter 14. Crip Time and the Creative Process - Choreography and
Performance as Sites for Exploring 'Normative' and 'Crip' Time and the
Disabled Dance-maker
Kate Marsh
Chapter 15. The Potential and Poetics of Rest
Raquel Meseguer Zafe
Index
Contributors Bio
Introduction
Part I: Crip Time in Pandemic Time
Chapter 1. Our Bodies Are the Archive: Crip Time in Pandemic Time and the
Materiality of Disability Performance
Carrie Sandahl
Chapter 2. Disability Culture in a Time of Pandemic
Jess Thom
Chapter 3. On imperfect flow: dis/ability performance in times of pandemic
Benjamin Wihstutz
Chapter 4. Crip Time
Petra Kuppers
Part II: Dramaturgies of Crip Time
Chapter 5. Dance, Disability and Keeping 'In Time' on Strictly
Sarah Whatley
Chapter 6. Off-beat bodies. Crip Choreography's Temporal Politicality
Michael Turinsky
Chapter 7. Imposed Tactlessness. Cursory Considerations on the Beyond of
Normative Time
Sandra Umathum
Chapter 8. Kairos Reconfigured: The Rhetoric of Actors with Intellectual
Disabilities Stepping In and Out of Theatrical Time
Tony McCaffrey
Chapter 9. On the temporality of stuttering
Elena Backhausen
Chapter 10. Time-Bound Yet Time-Less: Performing Crip Time at Blind Opera
and Anyadesh
Rajdeep Konar
Chapter 11. I Fall To Pieces
Kaite O'Reilly
Part III: Crip Time and Futurity
Chapter 12. Future Clinic for Critical Care: MOTHER - Exploring crip
maternal time in the theatre
Nina Mühlemann
Chapter 13. As Stiff Grew Stiffer: Theoretical and Practical Applications
of Theatrical Crip Time and Four-Dimensional Dramaturgy
John Michael Sefel and Rachael Herren
Chapter 14. Crip Time and the Creative Process - Choreography and
Performance as Sites for Exploring 'Normative' and 'Crip' Time and the
Disabled Dance-maker
Kate Marsh
Chapter 15. The Potential and Poetics of Rest
Raquel Meseguer Zafe
Index