Ovid and the Renaissance Body
Herausgeber: Stanivukovic, Goran
Ovid and the Renaissance Body
Herausgeber: Stanivukovic, Goran
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This collection of original essays uses contemporary theory to examine Renaissance writers' reworking of Ovid's texts in order to analyze the strategies in the construction of the early modern discourses of gender, sexuality, and writing.
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This collection of original essays uses contemporary theory to examine Renaissance writers' reworking of Ovid's texts in order to analyze the strategies in the construction of the early modern discourses of gender, sexuality, and writing.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Seitenzahl: 400
- Erscheinungstermin: 27. Oktober 2001
- Englisch
- Abmessung: 241mm x 157mm x 25mm
- Gewicht: 599g
- ISBN-13: 9780802035158
- ISBN-10: 0802035159
- Artikelnr.: 21360918
- Verlag: University of Toronto Press
- Seitenzahl: 400
- Erscheinungstermin: 27. Oktober 2001
- Englisch
- Abmessung: 241mm x 157mm x 25mm
- Gewicht: 599g
- ISBN-13: 9780802035158
- ISBN-10: 0802035159
- Artikelnr.: 21360918
By Goran Stanivukovic
Acknowledgments
Introduction: Ovid and the Renaissance Body
Goran V. Stanivukovic, Saint Mary’s University
Part I: Identification and Desire
Ovidian Subjectivities in Early Modern Lyric: Identification and Desire in
Petrarch and Louise Labé
Carla Freccero, University of California at Santa Cruz
Imagining Heterosexuality in the Epyllia
Jim Ellis, University of Calgary
Inversion, Metamorphosis, and Sexual Difference: Female Same-Sex Desire in
Ovid and Lyly
Mark Dooley, University of Teesside
A Garden of Her Own: Marvell’s Nymph and the Order of Nature
Morgan Holmes, Wilfrid Laurier University
‘Male deformities’: Narcissus and the Reformation of Courtly Manners in
Cynthia's Revels
Mario Digangi, CUNY.
Arms and the Women: The Ovidian Eroticism of Harington’s Ariosto
Ian Frederick Moulton, Arizona State University
Part II: Speech, Voice, and Embodiment
Localizing Disembodied Voice in Sandys’s Englished ‘Narcissus and Echo’
Gina Bloom, Lawrence University
The Ovidian Hermaphrodite: Moralizations by Peend and Spenser
Michael Pincombe, University of Newcastle upon Tyne
Ovid and the Dilemma of the Cuckold in English Renaissance Drama
Bruce Boehrer, Florida State University
Part Ill: Textualization
Lyrical Wax in Ovid, Marlowe, and Donne
Raphael Lyne, New Hall, Cambridge
Engendering Metamorphoses: Milton and the Ovidian Corpus
Elizabeth Sauer, Brock University
The Girl He Left Behind: Ovidian imitatio and the Body of Echo in Spenser’s
‘Epithalamion’
Judith Deitch, University of Toronto
‘If that which is lost be not found’: Monumental Bodies, Spectacular Bodies
in The Winter’s Tale
Lori Humphrey Newcomb, University of Illinois at Urbana-Champaign
Afterword
Valerie Traub, University of Michigan
Contributors
Index
Introduction: Ovid and the Renaissance Body
Goran V. Stanivukovic, Saint Mary’s University
Part I: Identification and Desire
Ovidian Subjectivities in Early Modern Lyric: Identification and Desire in
Petrarch and Louise Labé
Carla Freccero, University of California at Santa Cruz
Imagining Heterosexuality in the Epyllia
Jim Ellis, University of Calgary
Inversion, Metamorphosis, and Sexual Difference: Female Same-Sex Desire in
Ovid and Lyly
Mark Dooley, University of Teesside
A Garden of Her Own: Marvell’s Nymph and the Order of Nature
Morgan Holmes, Wilfrid Laurier University
‘Male deformities’: Narcissus and the Reformation of Courtly Manners in
Cynthia's Revels
Mario Digangi, CUNY.
Arms and the Women: The Ovidian Eroticism of Harington’s Ariosto
Ian Frederick Moulton, Arizona State University
Part II: Speech, Voice, and Embodiment
Localizing Disembodied Voice in Sandys’s Englished ‘Narcissus and Echo’
Gina Bloom, Lawrence University
The Ovidian Hermaphrodite: Moralizations by Peend and Spenser
Michael Pincombe, University of Newcastle upon Tyne
Ovid and the Dilemma of the Cuckold in English Renaissance Drama
Bruce Boehrer, Florida State University
Part Ill: Textualization
Lyrical Wax in Ovid, Marlowe, and Donne
Raphael Lyne, New Hall, Cambridge
Engendering Metamorphoses: Milton and the Ovidian Corpus
Elizabeth Sauer, Brock University
The Girl He Left Behind: Ovidian imitatio and the Body of Echo in Spenser’s
‘Epithalamion’
Judith Deitch, University of Toronto
‘If that which is lost be not found’: Monumental Bodies, Spectacular Bodies
in The Winter’s Tale
Lori Humphrey Newcomb, University of Illinois at Urbana-Champaign
Afterword
Valerie Traub, University of Michigan
Contributors
Index
Acknowledgments
Introduction: Ovid and the Renaissance Body
Goran V. Stanivukovic, Saint Mary’s University
Part I: Identification and Desire
Ovidian Subjectivities in Early Modern Lyric: Identification and Desire in
Petrarch and Louise Labé
Carla Freccero, University of California at Santa Cruz
Imagining Heterosexuality in the Epyllia
Jim Ellis, University of Calgary
Inversion, Metamorphosis, and Sexual Difference: Female Same-Sex Desire in
Ovid and Lyly
Mark Dooley, University of Teesside
A Garden of Her Own: Marvell’s Nymph and the Order of Nature
Morgan Holmes, Wilfrid Laurier University
‘Male deformities’: Narcissus and the Reformation of Courtly Manners in
Cynthia's Revels
Mario Digangi, CUNY.
Arms and the Women: The Ovidian Eroticism of Harington’s Ariosto
Ian Frederick Moulton, Arizona State University
Part II: Speech, Voice, and Embodiment
Localizing Disembodied Voice in Sandys’s Englished ‘Narcissus and Echo’
Gina Bloom, Lawrence University
The Ovidian Hermaphrodite: Moralizations by Peend and Spenser
Michael Pincombe, University of Newcastle upon Tyne
Ovid and the Dilemma of the Cuckold in English Renaissance Drama
Bruce Boehrer, Florida State University
Part Ill: Textualization
Lyrical Wax in Ovid, Marlowe, and Donne
Raphael Lyne, New Hall, Cambridge
Engendering Metamorphoses: Milton and the Ovidian Corpus
Elizabeth Sauer, Brock University
The Girl He Left Behind: Ovidian imitatio and the Body of Echo in Spenser’s
‘Epithalamion’
Judith Deitch, University of Toronto
‘If that which is lost be not found’: Monumental Bodies, Spectacular Bodies
in The Winter’s Tale
Lori Humphrey Newcomb, University of Illinois at Urbana-Champaign
Afterword
Valerie Traub, University of Michigan
Contributors
Index
Introduction: Ovid and the Renaissance Body
Goran V. Stanivukovic, Saint Mary’s University
Part I: Identification and Desire
Ovidian Subjectivities in Early Modern Lyric: Identification and Desire in
Petrarch and Louise Labé
Carla Freccero, University of California at Santa Cruz
Imagining Heterosexuality in the Epyllia
Jim Ellis, University of Calgary
Inversion, Metamorphosis, and Sexual Difference: Female Same-Sex Desire in
Ovid and Lyly
Mark Dooley, University of Teesside
A Garden of Her Own: Marvell’s Nymph and the Order of Nature
Morgan Holmes, Wilfrid Laurier University
‘Male deformities’: Narcissus and the Reformation of Courtly Manners in
Cynthia's Revels
Mario Digangi, CUNY.
Arms and the Women: The Ovidian Eroticism of Harington’s Ariosto
Ian Frederick Moulton, Arizona State University
Part II: Speech, Voice, and Embodiment
Localizing Disembodied Voice in Sandys’s Englished ‘Narcissus and Echo’
Gina Bloom, Lawrence University
The Ovidian Hermaphrodite: Moralizations by Peend and Spenser
Michael Pincombe, University of Newcastle upon Tyne
Ovid and the Dilemma of the Cuckold in English Renaissance Drama
Bruce Boehrer, Florida State University
Part Ill: Textualization
Lyrical Wax in Ovid, Marlowe, and Donne
Raphael Lyne, New Hall, Cambridge
Engendering Metamorphoses: Milton and the Ovidian Corpus
Elizabeth Sauer, Brock University
The Girl He Left Behind: Ovidian imitatio and the Body of Echo in Spenser’s
‘Epithalamion’
Judith Deitch, University of Toronto
‘If that which is lost be not found’: Monumental Bodies, Spectacular Bodies
in The Winter’s Tale
Lori Humphrey Newcomb, University of Illinois at Urbana-Champaign
Afterword
Valerie Traub, University of Michigan
Contributors
Index