Keymer
Oxf Hist Nov Eng to 1750 Vol 1 Ohne C
Keymer
Oxf Hist Nov Eng to 1750 Vol 1 Ohne C
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This edited volume explores prose from the origins of printing in late fifteenth-century England to the rise of the novel as a recognized, reputable genre in the mid eighteenth century.
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This edited volume explores prose from the origins of printing in late fifteenth-century England to the rise of the novel as a recognized, reputable genre in the mid eighteenth century.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 672
- Erscheinungstermin: 13. Januar 2018
- Englisch
- Abmessung: 249mm x 175mm x 43mm
- Gewicht: 1429g
- ISBN-13: 9780199580033
- ISBN-10: 0199580030
- Artikelnr.: 48208062
- Verlag: Hurst & Co.
- Seitenzahl: 672
- Erscheinungstermin: 13. Januar 2018
- Englisch
- Abmessung: 249mm x 175mm x 43mm
- Gewicht: 1429g
- ISBN-13: 9780199580033
- ISBN-10: 0199580030
- Artikelnr.: 48208062
Thomas Keymer is Chancellor Jackman Professor in the Arts and University Professor of English at the University of Toronto. He previously taught at St Anne's College, Oxford, where he remains a Supernumerary Fellow. He also serves as General Editor of The Review of English Studies and co-General Editor of the Cambridge Edition of the Works and Correspondence of Samuel Richardson. His most recent books include The Cambridge Companion to Laurence Sterne (2009), the Oxford World's Classics edition of William Beckford's Vathek (2013) and Poetics of the Pillory: English Literature and Seditious Libel, 1660-1820, forthcoming in OUP's Clarendon Lectures in English series.
* General Editor's Preface
* Introduction
* Editorial Note
* Note on the British Currency before Decimalization
* Part 1: Fiction in the Marketplace
* 1: Paul Salzman: Authorship, Publication, Reception: 1470-1660
* 2: Robert D. Hume: Authorship, Publication, Reception: 1660-1750
* 3: Cathy Shrank: Cross-Sections: 1516-1520
* 4: Lori Humphrey Newcomb: Cross-Sections: 1596-1600
* 5: James Grantham Turner: Cross-Sections: 1666-1670
* 6: Pat Rogers: Cross-Sections: 1716-1720
* Part 2: Early Modern Fiction - Sources and Modes
* 7: Alexandra Gillespie: Fiction and the Origins of Print
* 8: Robert H. F. Carver: English Fiction and the Ancient Novel
* 9: Helen Moore: Chivalric Romance and Novella Collections
* 10: Nandini Das: Euphuism and Courtly Fiction
* 11: Tiffany Stern: Nashe and Satire
* 12: R. W. Maslen: Elizabethan Popular Romance and the Popular Novel
* 13: Gavin Alexander: 'The conjunction cannot be hurtful'? Sidney's
Arcadia and Mingled Genres
* 14: Daniel Carey: Utopian Fiction
* 15: Steven N. Zwicker: Royalist Romance?
* 16: Simon Dickie: Picaresque and Rogue Fiction
* 17: Brean Hammond: Cervantes, Anti-Romance, and the Novella
* 18: Nicholas McDowell: Rabelaisian Comedy and Satire
* 19: Michael Davies: Bunyan and Religious Allegory
* Part 3: Restoration Fiction and the Rise of the Novel
* 20: Nicholas Hudson: Formal Experimentation and Theories of Fiction
* 21: John Richetti: Non-Fictional Discourses and the Novel
* 22: Stuart Sherman: Finding Their Accounts: Autobiography, Novel, and
the Move from Self 'to you-ward'
* 23: Ros Ballaster: Classical French Fiction and the Restoration Novel
* 24: Toni Bowers: Epistolary Fiction
* 25: Paul Baines: Pornography and the Novel
* 26: Jenny Davidson: Restoration Theatre, and the Novel
* 27: Cynthia Wall: Exploration, Expansion, and the Early Novel
* 28: James Watt: Arabian Nights and Oriental Spies
* 29: Moyra Haslett: The Rise of the Irish Novel
* 30: Jane Spencer: Scandal and Amatory Fiction
* 31: J. Paul Hunter: Defoe, Journalism, and the Early English Novel:
Contexts and Models
* 32: Claude Rawson: Swift, Satire, and the Novel
* 33: Thomas Lockwood: The Pamela Debate
* 34: Alan Downie: Clarissa and Tom Jones
* 35: Peter Sabor: 'Moral Romance' and the Novel at Mid-Century
* Introduction
* Editorial Note
* Note on the British Currency before Decimalization
* Part 1: Fiction in the Marketplace
* 1: Paul Salzman: Authorship, Publication, Reception: 1470-1660
* 2: Robert D. Hume: Authorship, Publication, Reception: 1660-1750
* 3: Cathy Shrank: Cross-Sections: 1516-1520
* 4: Lori Humphrey Newcomb: Cross-Sections: 1596-1600
* 5: James Grantham Turner: Cross-Sections: 1666-1670
* 6: Pat Rogers: Cross-Sections: 1716-1720
* Part 2: Early Modern Fiction - Sources and Modes
* 7: Alexandra Gillespie: Fiction and the Origins of Print
* 8: Robert H. F. Carver: English Fiction and the Ancient Novel
* 9: Helen Moore: Chivalric Romance and Novella Collections
* 10: Nandini Das: Euphuism and Courtly Fiction
* 11: Tiffany Stern: Nashe and Satire
* 12: R. W. Maslen: Elizabethan Popular Romance and the Popular Novel
* 13: Gavin Alexander: 'The conjunction cannot be hurtful'? Sidney's
Arcadia and Mingled Genres
* 14: Daniel Carey: Utopian Fiction
* 15: Steven N. Zwicker: Royalist Romance?
* 16: Simon Dickie: Picaresque and Rogue Fiction
* 17: Brean Hammond: Cervantes, Anti-Romance, and the Novella
* 18: Nicholas McDowell: Rabelaisian Comedy and Satire
* 19: Michael Davies: Bunyan and Religious Allegory
* Part 3: Restoration Fiction and the Rise of the Novel
* 20: Nicholas Hudson: Formal Experimentation and Theories of Fiction
* 21: John Richetti: Non-Fictional Discourses and the Novel
* 22: Stuart Sherman: Finding Their Accounts: Autobiography, Novel, and
the Move from Self 'to you-ward'
* 23: Ros Ballaster: Classical French Fiction and the Restoration Novel
* 24: Toni Bowers: Epistolary Fiction
* 25: Paul Baines: Pornography and the Novel
* 26: Jenny Davidson: Restoration Theatre, and the Novel
* 27: Cynthia Wall: Exploration, Expansion, and the Early Novel
* 28: James Watt: Arabian Nights and Oriental Spies
* 29: Moyra Haslett: The Rise of the Irish Novel
* 30: Jane Spencer: Scandal and Amatory Fiction
* 31: J. Paul Hunter: Defoe, Journalism, and the Early English Novel:
Contexts and Models
* 32: Claude Rawson: Swift, Satire, and the Novel
* 33: Thomas Lockwood: The Pamela Debate
* 34: Alan Downie: Clarissa and Tom Jones
* 35: Peter Sabor: 'Moral Romance' and the Novel at Mid-Century
* General Editor's Preface
* Introduction
* Editorial Note
* Note on the British Currency before Decimalization
* Part 1: Fiction in the Marketplace
* 1: Paul Salzman: Authorship, Publication, Reception: 1470-1660
* 2: Robert D. Hume: Authorship, Publication, Reception: 1660-1750
* 3: Cathy Shrank: Cross-Sections: 1516-1520
* 4: Lori Humphrey Newcomb: Cross-Sections: 1596-1600
* 5: James Grantham Turner: Cross-Sections: 1666-1670
* 6: Pat Rogers: Cross-Sections: 1716-1720
* Part 2: Early Modern Fiction - Sources and Modes
* 7: Alexandra Gillespie: Fiction and the Origins of Print
* 8: Robert H. F. Carver: English Fiction and the Ancient Novel
* 9: Helen Moore: Chivalric Romance and Novella Collections
* 10: Nandini Das: Euphuism and Courtly Fiction
* 11: Tiffany Stern: Nashe and Satire
* 12: R. W. Maslen: Elizabethan Popular Romance and the Popular Novel
* 13: Gavin Alexander: 'The conjunction cannot be hurtful'? Sidney's
Arcadia and Mingled Genres
* 14: Daniel Carey: Utopian Fiction
* 15: Steven N. Zwicker: Royalist Romance?
* 16: Simon Dickie: Picaresque and Rogue Fiction
* 17: Brean Hammond: Cervantes, Anti-Romance, and the Novella
* 18: Nicholas McDowell: Rabelaisian Comedy and Satire
* 19: Michael Davies: Bunyan and Religious Allegory
* Part 3: Restoration Fiction and the Rise of the Novel
* 20: Nicholas Hudson: Formal Experimentation and Theories of Fiction
* 21: John Richetti: Non-Fictional Discourses and the Novel
* 22: Stuart Sherman: Finding Their Accounts: Autobiography, Novel, and
the Move from Self 'to you-ward'
* 23: Ros Ballaster: Classical French Fiction and the Restoration Novel
* 24: Toni Bowers: Epistolary Fiction
* 25: Paul Baines: Pornography and the Novel
* 26: Jenny Davidson: Restoration Theatre, and the Novel
* 27: Cynthia Wall: Exploration, Expansion, and the Early Novel
* 28: James Watt: Arabian Nights and Oriental Spies
* 29: Moyra Haslett: The Rise of the Irish Novel
* 30: Jane Spencer: Scandal and Amatory Fiction
* 31: J. Paul Hunter: Defoe, Journalism, and the Early English Novel:
Contexts and Models
* 32: Claude Rawson: Swift, Satire, and the Novel
* 33: Thomas Lockwood: The Pamela Debate
* 34: Alan Downie: Clarissa and Tom Jones
* 35: Peter Sabor: 'Moral Romance' and the Novel at Mid-Century
* Introduction
* Editorial Note
* Note on the British Currency before Decimalization
* Part 1: Fiction in the Marketplace
* 1: Paul Salzman: Authorship, Publication, Reception: 1470-1660
* 2: Robert D. Hume: Authorship, Publication, Reception: 1660-1750
* 3: Cathy Shrank: Cross-Sections: 1516-1520
* 4: Lori Humphrey Newcomb: Cross-Sections: 1596-1600
* 5: James Grantham Turner: Cross-Sections: 1666-1670
* 6: Pat Rogers: Cross-Sections: 1716-1720
* Part 2: Early Modern Fiction - Sources and Modes
* 7: Alexandra Gillespie: Fiction and the Origins of Print
* 8: Robert H. F. Carver: English Fiction and the Ancient Novel
* 9: Helen Moore: Chivalric Romance and Novella Collections
* 10: Nandini Das: Euphuism and Courtly Fiction
* 11: Tiffany Stern: Nashe and Satire
* 12: R. W. Maslen: Elizabethan Popular Romance and the Popular Novel
* 13: Gavin Alexander: 'The conjunction cannot be hurtful'? Sidney's
Arcadia and Mingled Genres
* 14: Daniel Carey: Utopian Fiction
* 15: Steven N. Zwicker: Royalist Romance?
* 16: Simon Dickie: Picaresque and Rogue Fiction
* 17: Brean Hammond: Cervantes, Anti-Romance, and the Novella
* 18: Nicholas McDowell: Rabelaisian Comedy and Satire
* 19: Michael Davies: Bunyan and Religious Allegory
* Part 3: Restoration Fiction and the Rise of the Novel
* 20: Nicholas Hudson: Formal Experimentation and Theories of Fiction
* 21: John Richetti: Non-Fictional Discourses and the Novel
* 22: Stuart Sherman: Finding Their Accounts: Autobiography, Novel, and
the Move from Self 'to you-ward'
* 23: Ros Ballaster: Classical French Fiction and the Restoration Novel
* 24: Toni Bowers: Epistolary Fiction
* 25: Paul Baines: Pornography and the Novel
* 26: Jenny Davidson: Restoration Theatre, and the Novel
* 27: Cynthia Wall: Exploration, Expansion, and the Early Novel
* 28: James Watt: Arabian Nights and Oriental Spies
* 29: Moyra Haslett: The Rise of the Irish Novel
* 30: Jane Spencer: Scandal and Amatory Fiction
* 31: J. Paul Hunter: Defoe, Journalism, and the Early English Novel:
Contexts and Models
* 32: Claude Rawson: Swift, Satire, and the Novel
* 33: Thomas Lockwood: The Pamela Debate
* 34: Alan Downie: Clarissa and Tom Jones
* 35: Peter Sabor: 'Moral Romance' and the Novel at Mid-Century