Oxford Book of Christmas Organ Music for Manuals
Herausgeber: Gower, Robert
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Oxford Book of Christmas Organ Music for Manuals
Herausgeber: Gower, Robert
- Broschiertes Buch
A collection of manuals-only organ music covering the church's year from Advent to Epiphany, containing arrangements of core repertoire from the 18th- to 20th-century plus new pieces. This technically accessible music (approx. grades 4-5) is perfect for less confident organists.
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A collection of manuals-only organ music covering the church's year from Advent to Epiphany, containing arrangements of core repertoire from the 18th- to 20th-century plus new pieces. This technically accessible music (approx. grades 4-5) is perfect for less confident organists.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 72
- Erscheinungstermin: 21. September 2017
- Englisch
- Abmessung: 310mm x 233mm x 7mm
- Gewicht: 280g
- ISBN-13: 9780193517677
- ISBN-10: 0193517671
- Artikelnr.: 54535605
- Verlag: Oxford University Press
- Seitenzahl: 72
- Erscheinungstermin: 21. September 2017
- Englisch
- Abmessung: 310mm x 233mm x 7mm
- Gewicht: 280g
- ISBN-13: 9780193517677
- ISBN-10: 0193517671
- Artikelnr.: 54535605
On retirement from a teaching career spent successively at St Paul's Boys' School, Barnes, Radley College, Oxfordshire, and Glenalmond College, Perthshire, (where he was also a Housemaster and Senior Tutor), Robert Gower worked as Organist at St Barnabas Catholic Cathedral, Nottingham, before moving briefly to the most northerly parish in the Church of England at Berwick-upon-Tweed. Returning to Scotland so as to be nearer to family, he is now Director of Music at Dundee Parish Church. Robert's commitment to English 20th-century repertoire is reflected through his founding and leadership of the Percy Whitlock Trust between 1981 and 2016 and in his longstanding Chairmanship of the Gerald Finzi Charitable Trust, from which he retired in 2022. He enjoys transcribing music for organ (with a wide range recently embracing both Leroy Anderson and Maxwell Davies) and in liturgical composition, completing a three-year cycle of responsorial psalms for the Church Music Society.
Prelude on 'Merton'
Prelude on 'Nun komm, der Heiden Heiland'
Prelude on 'Nun komm, der Heiden Heiland'
Aria 'Bereite dich, Zion'
Meditation on 'Veni, Emmanuel'
Prelude on 'Vom Himmel hoch, da komm' ich her'
Chorale Intermezzo on 'Vom Himmel hoch, da komm' ich her'
Prelude on 'Wachet auf, ruft uns die Stimme' (BWV Anh. 66)
Prelude on 'Wachet auf, ruft uns die Stimme'
Pastorale II
Two Variations on 'Adeste, fideles'
Adeste, fideles (March of the Three Holy Kings)
Ding dong! merrily on high
For unto us a Child is born
Verset on 'Il est né, le divin enfant'
Fughetta on 'Gottes Sohn ist kommen'
I Saw Three Ships in Sussex
Jingle Bells
Joseph est bien marié
How still we see thee lie
Verset on 'Quittez, pasteurs'
The Shepherds' Farewell
Stille Nacht
Variations on 'Stuttgart'
Weihnachtspastorale
Prelude on 'Wie schön leuchtet der Morgenstern'
Study on 'Yorkshire'
Prelude on 'Nun komm, der Heiden Heiland'
Prelude on 'Nun komm, der Heiden Heiland'
Aria 'Bereite dich, Zion'
Meditation on 'Veni, Emmanuel'
Prelude on 'Vom Himmel hoch, da komm' ich her'
Chorale Intermezzo on 'Vom Himmel hoch, da komm' ich her'
Prelude on 'Wachet auf, ruft uns die Stimme' (BWV Anh. 66)
Prelude on 'Wachet auf, ruft uns die Stimme'
Pastorale II
Two Variations on 'Adeste, fideles'
Adeste, fideles (March of the Three Holy Kings)
Ding dong! merrily on high
For unto us a Child is born
Verset on 'Il est né, le divin enfant'
Fughetta on 'Gottes Sohn ist kommen'
I Saw Three Ships in Sussex
Jingle Bells
Joseph est bien marié
How still we see thee lie
Verset on 'Quittez, pasteurs'
The Shepherds' Farewell
Stille Nacht
Variations on 'Stuttgart'
Weihnachtspastorale
Prelude on 'Wie schön leuchtet der Morgenstern'
Study on 'Yorkshire'
Prelude on 'Merton'
Prelude on 'Nun komm, der Heiden Heiland'
Prelude on 'Nun komm, der Heiden Heiland'
Aria 'Bereite dich, Zion'
Meditation on 'Veni, Emmanuel'
Prelude on 'Vom Himmel hoch, da komm' ich her'
Chorale Intermezzo on 'Vom Himmel hoch, da komm' ich her'
Prelude on 'Wachet auf, ruft uns die Stimme' (BWV Anh. 66)
Prelude on 'Wachet auf, ruft uns die Stimme'
Pastorale II
Two Variations on 'Adeste, fideles'
Adeste, fideles (March of the Three Holy Kings)
Ding dong! merrily on high
For unto us a Child is born
Verset on 'Il est né, le divin enfant'
Fughetta on 'Gottes Sohn ist kommen'
I Saw Three Ships in Sussex
Jingle Bells
Joseph est bien marié
How still we see thee lie
Verset on 'Quittez, pasteurs'
The Shepherds' Farewell
Stille Nacht
Variations on 'Stuttgart'
Weihnachtspastorale
Prelude on 'Wie schön leuchtet der Morgenstern'
Study on 'Yorkshire'
Prelude on 'Nun komm, der Heiden Heiland'
Prelude on 'Nun komm, der Heiden Heiland'
Aria 'Bereite dich, Zion'
Meditation on 'Veni, Emmanuel'
Prelude on 'Vom Himmel hoch, da komm' ich her'
Chorale Intermezzo on 'Vom Himmel hoch, da komm' ich her'
Prelude on 'Wachet auf, ruft uns die Stimme' (BWV Anh. 66)
Prelude on 'Wachet auf, ruft uns die Stimme'
Pastorale II
Two Variations on 'Adeste, fideles'
Adeste, fideles (March of the Three Holy Kings)
Ding dong! merrily on high
For unto us a Child is born
Verset on 'Il est né, le divin enfant'
Fughetta on 'Gottes Sohn ist kommen'
I Saw Three Ships in Sussex
Jingle Bells
Joseph est bien marié
How still we see thee lie
Verset on 'Quittez, pasteurs'
The Shepherds' Farewell
Stille Nacht
Variations on 'Stuttgart'
Weihnachtspastorale
Prelude on 'Wie schön leuchtet der Morgenstern'
Study on 'Yorkshire'