218,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
payback
109 °P sammeln
  • Gebundenes Buch

The Oxford Handbook of Consumption examines the most pressing questions addressed by consumption studies scholars today. The volume counteracts the tendency towards disciplinary myopia as it engages scholars from around the world drawing on sociology, anthropology, psychology, history, and consumption studies. The volume's thirty-one chapters are organized around six themes, facilitating cross-disciplinary exploration.

Produktbeschreibung
The Oxford Handbook of Consumption examines the most pressing questions addressed by consumption studies scholars today. The volume counteracts the tendency towards disciplinary myopia as it engages scholars from around the world drawing on sociology, anthropology, psychology, history, and consumption studies. The volume's thirty-one chapters are organized around six themes, facilitating cross-disciplinary exploration.
Autorenporträt
Frederick F. Wherry is a Professor of Sociology at Princeton University and Director of the Dignity and Debt Network. He served as the 2018 president of the Social Science History Association and past chair of both the Economic Sociology and the Consumers and Consumption Sections of the American Sociological Association. He is co-author of Credit Where It's Due: Rethinking Financial Citizenship, editor of the four-volume Sage Encyclopedia of Economics and Society, and the author or editor of six other books or volumes. He has served in an advisory capacity to the Boston Federal Reserve and the Lloyds Banking Group Center for Responsible Business. Ian Woodward earned his PhD in sociology at University of Queensland, Australia. He is Professor in the Department of Marketing and Management at University of Southern Denmark. A cultural sociologist, he has written extensively about consumption and material cultures, and everyday cosmopolitan ethics. His authored and co-authored books include The Sociology of Cosmopolitanism (2009), Understanding Material Culture (2007), Vinyl: The Analogue Record in the Digital Age (2015), and Labels: Making Independent Music (2019).