George E Lewis
Oxford Handbook of Critical Improvisation Studies, Volume 2
Herausgeber: Piekut, Benjamin
George E Lewis
Oxford Handbook of Critical Improvisation Studies, Volume 2
Herausgeber: Piekut, Benjamin
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The Oxford Handbook of Critical Improvisation Studies gathers contributions from more than sixty authors pioneering new scholarly approaches to improvisation in the arts, humanities, social, and natural sciences.
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The Oxford Handbook of Critical Improvisation Studies gathers contributions from more than sixty authors pioneering new scholarly approaches to improvisation in the arts, humanities, social, and natural sciences.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Oxford Handbooks
- Verlag: Oxford University Press Inc
- Seitenzahl: 602
- Erscheinungstermin: 22. März 2022
- Englisch
- Abmessung: 248mm x 176mm x 42mm
- Gewicht: 930g
- ISBN-13: 9780197602515
- ISBN-10: 0197602517
- Artikelnr.: 62580616
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Oxford Handbooks
- Verlag: Oxford University Press Inc
- Seitenzahl: 602
- Erscheinungstermin: 22. März 2022
- Englisch
- Abmessung: 248mm x 176mm x 42mm
- Gewicht: 930g
- ISBN-13: 9780197602515
- ISBN-10: 0197602517
- Artikelnr.: 62580616
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
George E. Lewis, Edwin H. Case Professor of American Music at Columbia University, is a fellow of the American Academy of Arts and Sciences, a MacArthur Fellow, a Guggenheim Fellow, and author of the award-winning 2008 book, A Power Stronger Than Itself: The AACM and American Experimental Music. Benjamin Piekut, Associate Professor of Music at Cornell University, writes on the history of experimental and improvised music after 1960. He is the author of Experimentalism Otherwise (2011) and editor of Tomorrow Is the Question (2014).
* Preface to Volume II
* Introduction
* George E. Lewis and Benjamin Piekut
* I. Cities
* 1. Improvisation Technology as Mode of Redesigning the Urban
* Christopher Dell and Ton Matton
* 2. Lots Will Vary in the Available City
* David P. Brown
* 3. Improvising the Future in Post-Katrina New Orleans
* Eric Porter
* II. Creativities
* 4. Billy Connolly, Daniel Barenboim, Willie Wonka, Jazz Bastards, and
the Universality of Improvisation
* Raymond MacDonald and Graeme Wilson
* 5. A Computationally Motivated Approach to Cognition Studies in
Improvisation
* Brian Magerko
* 6. A Consciousness-based Look at Spontaneous Creativity
* Ed Sarath
* 7. In the Beginning, There Was Improvisation
* Bruce Ellis Benson
* III. Musics
* 8. Landmarks in the Study of Improvisation: Perspectives from
Ethnomusicology
* Bruno Nettl
* 9. Saving Improvisation: Hummel and the Free Fantasia in the Early
Nineteenth Century
* Dana Gooley
* 10. Negotiating Freedom and Control in Composition: Improvisation and
Its Offshoots, 1950 to 1980
* Sabine Feisst
* 11. Musical Improvisation: Play, Efficacy, and Significance
* A. J. Racy
* 12. Improvisation in Freestyle Rap
* Ellie M. Hisama
* 13. Speaking of the I-Word
* Leo Treitler
* IV. Writings
* 14. Modernist Improvisations
* Rob Wallace
* 15. Diversity and Divergence in the Improvisational Evolution of
Literary Genres
* Jennifer D. Ryan
* 16. Improvisatory Practices and the Dawn of the New American Cinema
* Sara Villa
* 17. Brilliant Corners: Improvisation and Practices of Freedom in Sent
for You Yesterday
* Walton Muyumba
* 18. Improvisation in Contemporary Experimental Poetry
* Hazel Smith
* V. Media
* 19. Subjective Computing and Improvisation
* D. Fox Harrell
* 20. Improvisation and Interaction, Canons and Rules, Emergence and
Play
* Simon Penny
* 21. Imposture as Improvisation: Living Fiction
* Antoinette LaFarge
* 22. Role-Play, Improvisation, and Emergent Authorship
* Celia Pearce
* 23. Bodies, Border, Technology: The Promise and Perils of Telematic
Improvisation
* Adriene Jenik
* 24. She Stuttered: Mapping the Spontaneous Middle
* Sher Doruff
* VI. Technologies
* 25. Live Algorithms for Music: Can Computers Be Improvisers?
* Michael Young and Tim Blackwell
* 26. Improvisation of the Masses: Anytime, Anywhere Mobile Music
* Ge Wang
* Introduction
* George E. Lewis and Benjamin Piekut
* I. Cities
* 1. Improvisation Technology as Mode of Redesigning the Urban
* Christopher Dell and Ton Matton
* 2. Lots Will Vary in the Available City
* David P. Brown
* 3. Improvising the Future in Post-Katrina New Orleans
* Eric Porter
* II. Creativities
* 4. Billy Connolly, Daniel Barenboim, Willie Wonka, Jazz Bastards, and
the Universality of Improvisation
* Raymond MacDonald and Graeme Wilson
* 5. A Computationally Motivated Approach to Cognition Studies in
Improvisation
* Brian Magerko
* 6. A Consciousness-based Look at Spontaneous Creativity
* Ed Sarath
* 7. In the Beginning, There Was Improvisation
* Bruce Ellis Benson
* III. Musics
* 8. Landmarks in the Study of Improvisation: Perspectives from
Ethnomusicology
* Bruno Nettl
* 9. Saving Improvisation: Hummel and the Free Fantasia in the Early
Nineteenth Century
* Dana Gooley
* 10. Negotiating Freedom and Control in Composition: Improvisation and
Its Offshoots, 1950 to 1980
* Sabine Feisst
* 11. Musical Improvisation: Play, Efficacy, and Significance
* A. J. Racy
* 12. Improvisation in Freestyle Rap
* Ellie M. Hisama
* 13. Speaking of the I-Word
* Leo Treitler
* IV. Writings
* 14. Modernist Improvisations
* Rob Wallace
* 15. Diversity and Divergence in the Improvisational Evolution of
Literary Genres
* Jennifer D. Ryan
* 16. Improvisatory Practices and the Dawn of the New American Cinema
* Sara Villa
* 17. Brilliant Corners: Improvisation and Practices of Freedom in Sent
for You Yesterday
* Walton Muyumba
* 18. Improvisation in Contemporary Experimental Poetry
* Hazel Smith
* V. Media
* 19. Subjective Computing and Improvisation
* D. Fox Harrell
* 20. Improvisation and Interaction, Canons and Rules, Emergence and
Play
* Simon Penny
* 21. Imposture as Improvisation: Living Fiction
* Antoinette LaFarge
* 22. Role-Play, Improvisation, and Emergent Authorship
* Celia Pearce
* 23. Bodies, Border, Technology: The Promise and Perils of Telematic
Improvisation
* Adriene Jenik
* 24. She Stuttered: Mapping the Spontaneous Middle
* Sher Doruff
* VI. Technologies
* 25. Live Algorithms for Music: Can Computers Be Improvisers?
* Michael Young and Tim Blackwell
* 26. Improvisation of the Masses: Anytime, Anywhere Mobile Music
* Ge Wang
* Preface to Volume II
* Introduction
* George E. Lewis and Benjamin Piekut
* I. Cities
* 1. Improvisation Technology as Mode of Redesigning the Urban
* Christopher Dell and Ton Matton
* 2. Lots Will Vary in the Available City
* David P. Brown
* 3. Improvising the Future in Post-Katrina New Orleans
* Eric Porter
* II. Creativities
* 4. Billy Connolly, Daniel Barenboim, Willie Wonka, Jazz Bastards, and
the Universality of Improvisation
* Raymond MacDonald and Graeme Wilson
* 5. A Computationally Motivated Approach to Cognition Studies in
Improvisation
* Brian Magerko
* 6. A Consciousness-based Look at Spontaneous Creativity
* Ed Sarath
* 7. In the Beginning, There Was Improvisation
* Bruce Ellis Benson
* III. Musics
* 8. Landmarks in the Study of Improvisation: Perspectives from
Ethnomusicology
* Bruno Nettl
* 9. Saving Improvisation: Hummel and the Free Fantasia in the Early
Nineteenth Century
* Dana Gooley
* 10. Negotiating Freedom and Control in Composition: Improvisation and
Its Offshoots, 1950 to 1980
* Sabine Feisst
* 11. Musical Improvisation: Play, Efficacy, and Significance
* A. J. Racy
* 12. Improvisation in Freestyle Rap
* Ellie M. Hisama
* 13. Speaking of the I-Word
* Leo Treitler
* IV. Writings
* 14. Modernist Improvisations
* Rob Wallace
* 15. Diversity and Divergence in the Improvisational Evolution of
Literary Genres
* Jennifer D. Ryan
* 16. Improvisatory Practices and the Dawn of the New American Cinema
* Sara Villa
* 17. Brilliant Corners: Improvisation and Practices of Freedom in Sent
for You Yesterday
* Walton Muyumba
* 18. Improvisation in Contemporary Experimental Poetry
* Hazel Smith
* V. Media
* 19. Subjective Computing and Improvisation
* D. Fox Harrell
* 20. Improvisation and Interaction, Canons and Rules, Emergence and
Play
* Simon Penny
* 21. Imposture as Improvisation: Living Fiction
* Antoinette LaFarge
* 22. Role-Play, Improvisation, and Emergent Authorship
* Celia Pearce
* 23. Bodies, Border, Technology: The Promise and Perils of Telematic
Improvisation
* Adriene Jenik
* 24. She Stuttered: Mapping the Spontaneous Middle
* Sher Doruff
* VI. Technologies
* 25. Live Algorithms for Music: Can Computers Be Improvisers?
* Michael Young and Tim Blackwell
* 26. Improvisation of the Masses: Anytime, Anywhere Mobile Music
* Ge Wang
* Introduction
* George E. Lewis and Benjamin Piekut
* I. Cities
* 1. Improvisation Technology as Mode of Redesigning the Urban
* Christopher Dell and Ton Matton
* 2. Lots Will Vary in the Available City
* David P. Brown
* 3. Improvising the Future in Post-Katrina New Orleans
* Eric Porter
* II. Creativities
* 4. Billy Connolly, Daniel Barenboim, Willie Wonka, Jazz Bastards, and
the Universality of Improvisation
* Raymond MacDonald and Graeme Wilson
* 5. A Computationally Motivated Approach to Cognition Studies in
Improvisation
* Brian Magerko
* 6. A Consciousness-based Look at Spontaneous Creativity
* Ed Sarath
* 7. In the Beginning, There Was Improvisation
* Bruce Ellis Benson
* III. Musics
* 8. Landmarks in the Study of Improvisation: Perspectives from
Ethnomusicology
* Bruno Nettl
* 9. Saving Improvisation: Hummel and the Free Fantasia in the Early
Nineteenth Century
* Dana Gooley
* 10. Negotiating Freedom and Control in Composition: Improvisation and
Its Offshoots, 1950 to 1980
* Sabine Feisst
* 11. Musical Improvisation: Play, Efficacy, and Significance
* A. J. Racy
* 12. Improvisation in Freestyle Rap
* Ellie M. Hisama
* 13. Speaking of the I-Word
* Leo Treitler
* IV. Writings
* 14. Modernist Improvisations
* Rob Wallace
* 15. Diversity and Divergence in the Improvisational Evolution of
Literary Genres
* Jennifer D. Ryan
* 16. Improvisatory Practices and the Dawn of the New American Cinema
* Sara Villa
* 17. Brilliant Corners: Improvisation and Practices of Freedom in Sent
for You Yesterday
* Walton Muyumba
* 18. Improvisation in Contemporary Experimental Poetry
* Hazel Smith
* V. Media
* 19. Subjective Computing and Improvisation
* D. Fox Harrell
* 20. Improvisation and Interaction, Canons and Rules, Emergence and
Play
* Simon Penny
* 21. Imposture as Improvisation: Living Fiction
* Antoinette LaFarge
* 22. Role-Play, Improvisation, and Emergent Authorship
* Celia Pearce
* 23. Bodies, Border, Technology: The Promise and Perils of Telematic
Improvisation
* Adriene Jenik
* 24. She Stuttered: Mapping the Spontaneous Middle
* Sher Doruff
* VI. Technologies
* 25. Live Algorithms for Music: Can Computers Be Improvisers?
* Michael Young and Tim Blackwell
* 26. Improvisation of the Masses: Anytime, Anywhere Mobile Music
* Ge Wang