Robert P Kolker
Oxford Handbook of Film and Media Studies
Robert P Kolker
Oxford Handbook of Film and Media Studies
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Comprised of twenty chapters by leading scholars and industry professionals, The Oxford Handbook of Film and Media Studies yields fresh perspectives on film and media in the U.S., Latin America, Asia, and the Middle East.
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Comprised of twenty chapters by leading scholars and industry professionals, The Oxford Handbook of Film and Media Studies yields fresh perspectives on film and media in the U.S., Latin America, Asia, and the Middle East.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 642
- Erscheinungstermin: 7. Dezember 2021
- Englisch
- Abmessung: 248mm x 176mm x 40mm
- Gewicht: 1058g
- ISBN-13: 9780197614815
- ISBN-10: 0197614817
- Artikelnr.: 62580909
- Verlag: Hurst & Co.
- Seitenzahl: 642
- Erscheinungstermin: 7. Dezember 2021
- Englisch
- Abmessung: 248mm x 176mm x 40mm
- Gewicht: 1058g
- ISBN-13: 9780197614815
- ISBN-10: 0197614817
- Artikelnr.: 62580909
Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost 50 years. He is author of A Cinema of Loneliness; The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; Triumph over Containment: American Film in the 1950s; and Eyes Wide Shut: Stanley Kubrick and the Making his Final Film (with Nathan Abrams) and editor of 2001: A Space Odyssey: New Essays.
* Introduction
* 1. Jay David Bolter, Digital Media and the Future of Filmic Narrative
* 2. Brian Price, The Last Laoco:on
* 3. Devin Orgeron, Visual Media and the Tyranny of the Real
* 4. Francis Guerin, Radical Aspirations Historicized: The European
Commitment to Political Documentary
* 5. Jeannene M. Przyblyski, Loss of Light: The Long Shadow of
Photography in the Digital Age
* 6. Marsha Orgeron, Media Celebrity in the Age of the Image
* 7. Paul Young, Film Genre Theory and Contemporary Media: Description,
Interpretation, Intermediality
* 8. Toby Miller and Mariana Johnson, The Who, What, When, Where, And
How-Gilda Says Textual Analysis
* Needs To Learn From Political Economy And Ethnography
* 9. William Uricchio, Television's First 75 Years: The Interpretive
Flexibility Of A Medium In Transition
* 10. Tara McPherson, "The end of TV as we know it": Convergence,
Anxiety, Generic Innovation, and the Case of 24
* 11. John Caldwell, Screen Practice and Conglomeration: How
Reflexivity and Conglomeration Fuel Each Other
* 12. Evans Chan, The Chinese Action Image and Postmodernity
* 13. Joseph Schaub, When Cute Becomes Scary: The Young Female in
Japanese Horror Cinema
* 14. Gina Marchetti, Asian Film and Digital Culture
* 15. Manjunath Pendakur, Popular Cinema and "New" Media in India
* 16. Cristina Venegas, Dreaming With Open Eyes: Latin American Media
in the Digital Age
* 17. Andrew Flibbert, The Globalization of Filmmaking in Latin America
and the Middle East
* 18. David Golumbia, Computers and Cultural Studies
* 19. Warren Buckland, Film and Media Studies Pedagogy
* 20. Peter Jaszi, Copyright, Fair Use, and Motion Pictures
* Appendix I. Tom Bernard, Evolution of Modern Day Independent Film
Making
* Appendix II. Lee Berger and Richard Hollander, The Digital Revolution
* 1. Jay David Bolter, Digital Media and the Future of Filmic Narrative
* 2. Brian Price, The Last Laoco:on
* 3. Devin Orgeron, Visual Media and the Tyranny of the Real
* 4. Francis Guerin, Radical Aspirations Historicized: The European
Commitment to Political Documentary
* 5. Jeannene M. Przyblyski, Loss of Light: The Long Shadow of
Photography in the Digital Age
* 6. Marsha Orgeron, Media Celebrity in the Age of the Image
* 7. Paul Young, Film Genre Theory and Contemporary Media: Description,
Interpretation, Intermediality
* 8. Toby Miller and Mariana Johnson, The Who, What, When, Where, And
How-Gilda Says Textual Analysis
* Needs To Learn From Political Economy And Ethnography
* 9. William Uricchio, Television's First 75 Years: The Interpretive
Flexibility Of A Medium In Transition
* 10. Tara McPherson, "The end of TV as we know it": Convergence,
Anxiety, Generic Innovation, and the Case of 24
* 11. John Caldwell, Screen Practice and Conglomeration: How
Reflexivity and Conglomeration Fuel Each Other
* 12. Evans Chan, The Chinese Action Image and Postmodernity
* 13. Joseph Schaub, When Cute Becomes Scary: The Young Female in
Japanese Horror Cinema
* 14. Gina Marchetti, Asian Film and Digital Culture
* 15. Manjunath Pendakur, Popular Cinema and "New" Media in India
* 16. Cristina Venegas, Dreaming With Open Eyes: Latin American Media
in the Digital Age
* 17. Andrew Flibbert, The Globalization of Filmmaking in Latin America
and the Middle East
* 18. David Golumbia, Computers and Cultural Studies
* 19. Warren Buckland, Film and Media Studies Pedagogy
* 20. Peter Jaszi, Copyright, Fair Use, and Motion Pictures
* Appendix I. Tom Bernard, Evolution of Modern Day Independent Film
Making
* Appendix II. Lee Berger and Richard Hollander, The Digital Revolution
* Introduction
* 1. Jay David Bolter, Digital Media and the Future of Filmic Narrative
* 2. Brian Price, The Last Laoco:on
* 3. Devin Orgeron, Visual Media and the Tyranny of the Real
* 4. Francis Guerin, Radical Aspirations Historicized: The European
Commitment to Political Documentary
* 5. Jeannene M. Przyblyski, Loss of Light: The Long Shadow of
Photography in the Digital Age
* 6. Marsha Orgeron, Media Celebrity in the Age of the Image
* 7. Paul Young, Film Genre Theory and Contemporary Media: Description,
Interpretation, Intermediality
* 8. Toby Miller and Mariana Johnson, The Who, What, When, Where, And
How-Gilda Says Textual Analysis
* Needs To Learn From Political Economy And Ethnography
* 9. William Uricchio, Television's First 75 Years: The Interpretive
Flexibility Of A Medium In Transition
* 10. Tara McPherson, "The end of TV as we know it": Convergence,
Anxiety, Generic Innovation, and the Case of 24
* 11. John Caldwell, Screen Practice and Conglomeration: How
Reflexivity and Conglomeration Fuel Each Other
* 12. Evans Chan, The Chinese Action Image and Postmodernity
* 13. Joseph Schaub, When Cute Becomes Scary: The Young Female in
Japanese Horror Cinema
* 14. Gina Marchetti, Asian Film and Digital Culture
* 15. Manjunath Pendakur, Popular Cinema and "New" Media in India
* 16. Cristina Venegas, Dreaming With Open Eyes: Latin American Media
in the Digital Age
* 17. Andrew Flibbert, The Globalization of Filmmaking in Latin America
and the Middle East
* 18. David Golumbia, Computers and Cultural Studies
* 19. Warren Buckland, Film and Media Studies Pedagogy
* 20. Peter Jaszi, Copyright, Fair Use, and Motion Pictures
* Appendix I. Tom Bernard, Evolution of Modern Day Independent Film
Making
* Appendix II. Lee Berger and Richard Hollander, The Digital Revolution
* 1. Jay David Bolter, Digital Media and the Future of Filmic Narrative
* 2. Brian Price, The Last Laoco:on
* 3. Devin Orgeron, Visual Media and the Tyranny of the Real
* 4. Francis Guerin, Radical Aspirations Historicized: The European
Commitment to Political Documentary
* 5. Jeannene M. Przyblyski, Loss of Light: The Long Shadow of
Photography in the Digital Age
* 6. Marsha Orgeron, Media Celebrity in the Age of the Image
* 7. Paul Young, Film Genre Theory and Contemporary Media: Description,
Interpretation, Intermediality
* 8. Toby Miller and Mariana Johnson, The Who, What, When, Where, And
How-Gilda Says Textual Analysis
* Needs To Learn From Political Economy And Ethnography
* 9. William Uricchio, Television's First 75 Years: The Interpretive
Flexibility Of A Medium In Transition
* 10. Tara McPherson, "The end of TV as we know it": Convergence,
Anxiety, Generic Innovation, and the Case of 24
* 11. John Caldwell, Screen Practice and Conglomeration: How
Reflexivity and Conglomeration Fuel Each Other
* 12. Evans Chan, The Chinese Action Image and Postmodernity
* 13. Joseph Schaub, When Cute Becomes Scary: The Young Female in
Japanese Horror Cinema
* 14. Gina Marchetti, Asian Film and Digital Culture
* 15. Manjunath Pendakur, Popular Cinema and "New" Media in India
* 16. Cristina Venegas, Dreaming With Open Eyes: Latin American Media
in the Digital Age
* 17. Andrew Flibbert, The Globalization of Filmmaking in Latin America
and the Middle East
* 18. David Golumbia, Computers and Cultural Studies
* 19. Warren Buckland, Film and Media Studies Pedagogy
* 20. Peter Jaszi, Copyright, Fair Use, and Motion Pictures
* Appendix I. Tom Bernard, Evolution of Modern Day Independent Film
Making
* Appendix II. Lee Berger and Richard Hollander, The Digital Revolution