Oxford Handbook of Music and Disability Studies

Herausgegeben von Howe, Blake; Jensen-Moulton, Stephanie; Lerner, Neil; Straus, Joseph

• Gebundenes Buch

Produktbeschreibung

Like race, gender, and sexuality, disability is a social and cultural construction. Music, musicians, and music-making simultaneously embody and shape representations and narratives of disability. Disability -- culturally stigmatized minds and bodies -- is one of the things that music in all times and places can be said to be about.

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Produktdetails

• Oxford Handbooks in Music
• Verlag: Oxford University Press
• Seitenzahl: 952
• Erscheinungstermin: 12. November 2015
• Englisch
• Abmessung: 254mm x 174mm x 63mm
• Gewicht: 1720g
• ISBN-13: 9780199331444
• ISBN-10: 0199331448
• Artikelnr.: 43566971

Autorenporträt

Blake Howe is Assistant Professor of Musicology at Louisiana State University. Stephanie Jensen-Moulton is Assistant Professor of Musicology at Brooklyn College, City University of New York. Neil Lerner is Professor of Music and Co-Coordinator of the Interdisciplinary Minor in Film & Media Studies at Davidson College. Joseph Straus is Distinguished Professor of Music at the Graduate Center of the City University of New York.

Inhaltsangabe

* Introduction: Disability Studies in Music; Music in Disability
Studies
* Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, Joseph Straus
* Part 1. Disability Communities
* 1. Toward an Ethnographic Model of Disability in the Ethnomusicology
of Autism
* Michael B. Bakan
* 2. Music, Intellectual Disability, and Human Flourishing
* Licia Carlson
* 3. Imagined Hearing: Music-Making in Deaf Culture
* Jeannette DiBernardo Jones
* 4. Musical Expression among Deaf and Hearing Song Signers
* Anabel Maler
* 5. The Politics of Sound: Music and Blindness in France, 1750-1830
* Ingrid Sykes
* 6. "They Say We Exchanged Our Eyes for the Xylophone": Resisting
Tropes of Disability as Spiritual Deviance in Birifor Music
* Brian Hogan
* 7. Understanding is Seeing: Music Analysis and Blindness
* Shersten Johnson
* Part 2. Performing Disability
* 8. Mechanized Bodies: Technology and Supplements in Björk's
Electronica
* Jennifer Iverson
* 9. Subhuman or Superhuman? (Musical) Assistive Technology,
Performance Enhancement, and the Aesthetic/Moral Debate
* Laurie Stras
* 10. Disabling Music Performance
* Blake Howe
* 11. Music and Bodily Difference in Cirque du Soleil
* Stephanie Jensen-Moulton
* 12. Punk Rock and Disability: Cripping Subculture
* George McKay
* 13. Moving Experiences: Blindness and the Performing Self in Imré
Ungár's Chopin
* Stefan Sunandan Honisch
* 14. Stevie Wonder's Tactile Keyboard Mediation, Black Key
Compositional Development, and the Quest for Creative Autonomy
* Will Fulton
* 15. Oh, the Stories We Tell! Performer-Audience-Disability
* Michael Beckerman
* 16. The Dancing Ground: Embodied Knowledge, Disability, and
Visibility in New Orleans Second Lines
* Daniella Santoro
* Part 3. Race, Gender, Sexuality
* 17. A Cannon-Shaped Man with an Amphibian Voice: Castrato and
Disability in Eighteenth-Century France
* Hedy Law
* 18. Sexuality, Trauma, and Dissociated Expression
* Fred Everett Maus
* 19. That "Weird and Wonderful Posture": Jump "Jim Crow" and the
Performance of Disability
* Sean Murray
* 20. Disabled Moves: Multi-dimensional Music Listening,
Disturbing/Activating Differences of Identity
* Marianne Kielian-Gilbert
* Part 4. War and Trauma
* 21. Disabled Union Veterans and the Performance of Martial Begging
* Michael Accinno
* 22. "Goodbye, Old Arm": The Domestication of Veterans' Disabilities
in Civil War-Era Popular Songs
* Devin Burke
* 23. "The Absurd Disordering of Notes": Dysfunctional Memory in the
Post-Traumatic Music of Ivor Gurney
* Beth Keyes
* 24. Vocal Ability and Musical Performances of Nuclear Damages in the
Marshall Islands
* Jessica Schwartz
* Part 5. Premodern Conceptions
* 25. Lyrical Humor(s) in the 'Fumeur' Songs
* Julie Singer
* 26. Difference, Disability, and Composition in the Late Middle Ages:
* Of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze
* Michael Scott Cuthbert
* 27. Madness and Music as (Dis)ability in Early Modern England
* Samantha Bassler
* 28. Saul, David, and Music's Ideal Body
* Blake Howe
* Part 6. The Classical Tradition
* 29. Narratives of Affliction and Recovery in Haydn
* Floyd Grave
* 30. Music and the Labyrinth of Melancholy
* Elaine Sisman
* 31. Musical Prosthesis: Form, Expression, and Narrative Structure in
Beethoven's Sonata Movements
* Bruce Quaglia
* 32. Sounds of Mind: Musicians and Madness in the Popular Imagination
* James Deaville
* Part 7. Modernism and After
* 33. Modernist Opera's Stigmatized Subjects
* Sherry Lee
* 34. Autism and Postwar Serialism as Neurodiverse Forms of Cultural
Modernism
* Joseph Straus
* 35. Broken Facture: Representations of Disability in the Music of
Allan Pettersson
* Allen Gimbel
* 36. Musical Modernism's Aesthetics of Disability
* Joseph Straus
* 37. "Defamiliarizing the Familiar": Michael Nyman, Narrative
Medicine, and the Composition of Mental Blindness
* Stephanie Jensen-Moulton
* Part 8. Film and Musical Theater
* 38. Scene in a New Light: Monstrous Mothers, Disabled Daughters, and
the Performance of Feminism and Disability in The Light in the Piazza
(2005) and Next to Normal (2008)
* Ann M. Fox
* 39. "Pitiful Creature of Darkness": The Subhuman and the Superhuman
in The Phantom of the Opera
* Jessica Sternfeld
* 40. "Waitin' for the Light to Shine": Musicals and Disability
* Raymond Knapp
* 41. Music for Richard III: Cinematic Scoring for the Early Modern
Monstrous
* Kendra Preston Leonard
* 42. Hearing a Site of Masculinity in Franz Waxman's Score for Pride
of the Marines (1945)
* Neil Lerner