The Oxford Handbook of Music Making and Leisure presents myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music. Looking beyond the obvious, this handbook asks readers to consider anew, "What might we see when we think of music making as leisure?"
The Oxford Handbook of Music Making and Leisure presents myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music. Looking beyond the obvious, this handbook asks readers to consider anew, "What might we see when we think of music making as leisure?"Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Roger Mantie is Assistant Professor of Music Education at Arizona State University. Gareth Dylan Smith is Facilitator of Online Learning in Music Education at Boston University.
Inhaltsangabe
* Contents * EDITORS' INTRODUCTION * 1. Roger Mantie and Gareth Dylan Smith * Grasping the Jellyfish of Music Making and Leisure * SECTION I * 2. Marie McCarthy * Creating a Framework for Music Making and Leisure: Max Kaplan Leads the Way * 3. Susan Hallam, Andrea Creech, and Maria Varvarigou * Well-Being And Music Leisure Activities Through The Lifespan: A Psychological Perspective * 4. Abigail D'Amore and Gareth Dylan Smith * Aspiring to Music Making as Leisure through the Musical Futures Classroom * 5. Adam Patrick Bell * D.I.Y. Recreational Recording as Music Making * 6. Joseph Pate and Brian Kumm * Contemplating Compilations: An Invitation to . . . * 7. David Lines * "While My Guitar Gently Weeps": Music Education and Guitar as Leisure * 8. Kevin Rathunde and Russell Isabella * Playing Music and Identity Development in Middle Adulthood: A Theoretical and Autoethnographic Account * 9. Gareth Dylan Smith * (Un)popular Music Making and Eudaimonism * SECTION II * 10. Stephanie Pitts * "The Violin in the Attic": Investigating the Long-Term Value of Lapsed Musical Participation * 11. Sidsel Karlsen * Leisure-time Music Activities from the Perspective of Musical Agency: The Breaking Down of a Dichotomy * 12. Jennie Henley * The Musical Lives of Self-confessed Non-musicians * 13. Zack Moir * Popular Music Making and Young People: Leisure, Education and Industry * 14. Andy Krikun * "Perilous Blessing of Leisure": Music and Leisure in the United States, 1890-1945 * 15. Valerie L. Vaccaro * A Consumer Behavior-Influenced Multi-Disciplinary Transcendent Model of Motivation for Music Making * 16. Karl Spracklen * Developing a Cultural Theory of Music Making and Leisure: Baudrillard, the simulacra and music consumption * 17. Gabby Riches * Feeling Part of the Scene: Affective Experiences of Music Making Practices and Performances within Leeds' Extreme Metal Scene * 18. Serena Weren, Olga Kornienko, Gary W. Hill, and Claire Yee * Motivational and Social Network Dynamics of Ensemble Music Making: A Longitudinal Investigation of a Collegiate Marching Band * SECTION III * 19. Robert A. Stebbins * Leisure Music Production: Its Spaces and Places * 20. Hermione Ruck Keene and Lucy Green * Amateur and Professional Music-Making at Dartington International Summer School * 21. Ronnie Richards * "What's Your Name, Where Are You From and What Have You Had?" Utopian memories of Leeds' Acid House culture in Two Acts * 22. Joseph Pignato * Red Light Jams: A Place Outside of All Others * 23. Brett Lashua * The Beat of a Different Drummer: Music Making as Leisure Research * 24. Jenna Ward and Allan Watson * "FX, Drugs and Rock 'n' Roll": Engineering the Emotional Space of the Recording Studio * 25. Christopher Cayari * Music Making on YouTube * 26. Alberto Trobia and Fabio M. Lo Verde * Italian Amateur Pop-Rock Musicians on Facebook: Mixed Methods and New Findings in Music Making Research * SECTION IV * 27. Karen Fox * Entering Into An Indigenous Cypher: Indigenous Music-Dance Making Sings to Western Leisure * 28. Jared O'Leary and Evan Tobias * Sonic Participatory Cultures within, through, and around Video Games * 29. Thomas Malone * "Singer's Music": Considering Sacred Harp Singing as Musical Leisure and Lived Harmony * 30. Shara Rambarran * "DJ Hit That Button": Amateur Laptop Musicians in Contemporary Music and Society * 31. Gillian Howell, Lee Higgins, and Brydie-Leigh Bartleet * Community Music Practice: Intervention Through Facilitation * 32. Roger Mantie * Leisure Grooves: An Open Letter to Charles Keil * Index
* Contents * EDITORS' INTRODUCTION * 1. Roger Mantie and Gareth Dylan Smith * Grasping the Jellyfish of Music Making and Leisure * SECTION I * 2. Marie McCarthy * Creating a Framework for Music Making and Leisure: Max Kaplan Leads the Way * 3. Susan Hallam, Andrea Creech, and Maria Varvarigou * Well-Being And Music Leisure Activities Through The Lifespan: A Psychological Perspective * 4. Abigail D'Amore and Gareth Dylan Smith * Aspiring to Music Making as Leisure through the Musical Futures Classroom * 5. Adam Patrick Bell * D.I.Y. Recreational Recording as Music Making * 6. Joseph Pate and Brian Kumm * Contemplating Compilations: An Invitation to . . . * 7. David Lines * "While My Guitar Gently Weeps": Music Education and Guitar as Leisure * 8. Kevin Rathunde and Russell Isabella * Playing Music and Identity Development in Middle Adulthood: A Theoretical and Autoethnographic Account * 9. Gareth Dylan Smith * (Un)popular Music Making and Eudaimonism * SECTION II * 10. Stephanie Pitts * "The Violin in the Attic": Investigating the Long-Term Value of Lapsed Musical Participation * 11. Sidsel Karlsen * Leisure-time Music Activities from the Perspective of Musical Agency: The Breaking Down of a Dichotomy * 12. Jennie Henley * The Musical Lives of Self-confessed Non-musicians * 13. Zack Moir * Popular Music Making and Young People: Leisure, Education and Industry * 14. Andy Krikun * "Perilous Blessing of Leisure": Music and Leisure in the United States, 1890-1945 * 15. Valerie L. Vaccaro * A Consumer Behavior-Influenced Multi-Disciplinary Transcendent Model of Motivation for Music Making * 16. Karl Spracklen * Developing a Cultural Theory of Music Making and Leisure: Baudrillard, the simulacra and music consumption * 17. Gabby Riches * Feeling Part of the Scene: Affective Experiences of Music Making Practices and Performances within Leeds' Extreme Metal Scene * 18. Serena Weren, Olga Kornienko, Gary W. Hill, and Claire Yee * Motivational and Social Network Dynamics of Ensemble Music Making: A Longitudinal Investigation of a Collegiate Marching Band * SECTION III * 19. Robert A. Stebbins * Leisure Music Production: Its Spaces and Places * 20. Hermione Ruck Keene and Lucy Green * Amateur and Professional Music-Making at Dartington International Summer School * 21. Ronnie Richards * "What's Your Name, Where Are You From and What Have You Had?" Utopian memories of Leeds' Acid House culture in Two Acts * 22. Joseph Pignato * Red Light Jams: A Place Outside of All Others * 23. Brett Lashua * The Beat of a Different Drummer: Music Making as Leisure Research * 24. Jenna Ward and Allan Watson * "FX, Drugs and Rock 'n' Roll": Engineering the Emotional Space of the Recording Studio * 25. Christopher Cayari * Music Making on YouTube * 26. Alberto Trobia and Fabio M. Lo Verde * Italian Amateur Pop-Rock Musicians on Facebook: Mixed Methods and New Findings in Music Making Research * SECTION IV * 27. Karen Fox * Entering Into An Indigenous Cypher: Indigenous Music-Dance Making Sings to Western Leisure * 28. Jared O'Leary and Evan Tobias * Sonic Participatory Cultures within, through, and around Video Games * 29. Thomas Malone * "Singer's Music": Considering Sacred Harp Singing as Musical Leisure and Lived Harmony * 30. Shara Rambarran * "DJ Hit That Button": Amateur Laptop Musicians in Contemporary Music and Society * 31. Gillian Howell, Lee Higgins, and Brydie-Leigh Bartleet * Community Music Practice: Intervention Through Facilitation * 32. Roger Mantie * Leisure Grooves: An Open Letter to Charles Keil * Index
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