Oxford Handbook of Voice Perception

Herausgeber: Frühholz, Sascha; Belin, Pascal

• Gebundenes Buch

Produktbeschreibung

The Oxford Handbook of Voice Perception gathers in forty chapters the most exciting research from several disciplines related to voice perception. In particular, it draws attention to what has not been the focus of this field of research - the perceptual and cerebral mechanisms underlying nonverbal information processing in voices.

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Produktdetails

• Verlag: Hurst & Co.
• Seitenzahl: 976
• Erscheinungstermin: 29. Januar 2019
• Englisch
• Abmessung: 249mm x 173mm x 53mm
• Gewicht: 1973g
• ISBN-13: 9780198743187
• ISBN-10: 0198743181
• Artikelnr.: 53544329

Autorenporträt

Sascha Frühholz is currently SNSF Professor for Cognitive and Affective Neuroscience at the Institute of Psychology at University of Zurich, Switzerland. He is also with the Neuroscience Center Zurich, Switzerland and the Zurich Center for Integrative Human Physiology, Switzerland. He has established a unique line of research into dynamic brain patterns during the production and perception of socio-affective information in voices. Pascal Belin is professor of Neuroscience at Aix-Marseille Université and heads the Neural Bases of Communication research team at the Institut de Neuroscience de La Timone in Marseille, France. He has pioneered an original line of research on the cerebral bases of voice perception that he is now developing along an evolutionary dimension.

Inhaltsangabe

* Part I: The Voice is Special
* 1: Sascha Frühholz and Pascal Belin: The science of voice perception
* 2: Diana Van Lancker Sidtis: Ancient of days: The vocal pattern as
primordial big bang of communication
* 3: Pascal Belin: The "Vocal Brain": Core and extended cerebral
networks for voice processing
* 4: Klaus Scherer: Acoustic patterning of emotion vocalizations
* 5: Yuanyuan Wang, Derek M. Houston, and Amanda Seidl: Acoustic
properties of infant-directed speech
* 6: Johan Sundberg: The singing voice
* 7: Martin Meyer, Matthias Keller, and Nathalie Giroud: Suprasegmental
speech prosody and the human brain: The acoustic and vocal features
and the evolutionary architecture of the brain
* 8: Jody Kreiman, Bruce Gerratt: Reconsidering the nature of voice
* Part II: Ontogenetic development of voice perception
* 9: Natacha Paquette, Emmanuelle Dionne-Dostie, Maryse Lassonde and
Anne Gallagher: Voice perception in newborns and infants
* 10: Stefan Elmer, Eva Dittinger, and Mireille Besson: One step
beyond: musical expertise and word learning
* 11: Evelyne Mercure and Laura Kischkel: Social perception in infancy:
An integrative perspective on the development of voice and face
perception
* 12: Katherine S. Young, Christine E. Parsons, Alan Stein, Peter
Vuust, Michelle G. Craske, and Morten L. Kringelbach: Neural
responses to infant vocalisations in adult listeners
* Part III: Evolution and comparative perspective
* 13: Alan K.S. Nielsen and Drew Rendall: Comparative perspectives on
communication in human and nonhuman primates: Grounding meaning in
broadly conserved processes of voice production, perception, affect
and cognition
* 14: Samantha Carouso Peck and Michael H. Goldstein: Linking vocal
learning to social reward in the brain: Proposed neural mechanisms of
socially guided song learning
* 15: Catherine Perrodin and Christopher I. Petkov: Voice sensitive
regions, neurons and multisensory pathways in the primate brain
* 16: Attila Andics and Tamás Faragó: Voice perception across species
* 17: Charles T. Snowdon: Emotional and social communication in
nonhuman animals
* 18: Josef P. Rauschecker: Dual stream models of auditory vocal
communication
* Part IV: Emotional and motivational vocal expression
* 19: Sascha Frühholz and Leonardo Ceravolo: The neural network
underlying the processing of affective vocalizations
* 20: Silke Paulmann and Sonja A. Kotz: The electrophysiology and
time-course of processing vocal emotion expressions
* 21: Jocelyne C. Whitehead and Jorge L. Armony: Amygdala processing of
vocal emotions
* 22: Kai Alter and Dirk Wildgruber: Laughing out loud! Investigations
on different types of laughter
* Part V: Vocal identity, personality, and the social context
* 23: Tyler K. Perrachione: Recognizing speakers across languages
* 24: Stefan R. Schweinberger and Romi Zäske: Perceiving speaker
identity from the voice
* 25: Marianne Latinus and Romi Zäske: Perceptual correlates and
cerebral representation of voices-identity, gender, and age
* 26: Phil McAleer and Pascal Belin: The perception of personality
traits from voices
* 27: Katarzyna Pisanski and David R. Feinberg: Vocal attractiveness
* 28: Sarah Stevenage: Voice processing: Implications for earwitness
testimony
* 29: Benjamin Kreifelts and Thomas Ethofer: Voices in the context of
human faces and bodies
* 30: Patricia E.G. Bestelmeyer: Linguistic 'first impressions':
Accents as cue to person perception
* Part VI: Machine-based generation and decoding of voices
* 31: Hideki Kawahara and Verena Skuk: Voice morphing
* 32: Alessandro Vinciarelli: Machine-based decoding of voices and
human speech
* 33: Maximilian Schmitt and Bjorn Schuller: Machine-based decoding of
paralinguistic vocal features
* 34: Bernd J. Kröger: Neurocomputational models of voice and speech
perception
* 35: Keikichi Hirose: Voice and speech synthesis - highlighting
control of prosody
* 36: Volker Dellwo, Peter French, and Lei He: Voice biometrics for
forensic speaker recognition applications
* Part VII: Clinical disorders
* 37: David I. Leitman and Sarah M. Haigh: Impairments in decoding
vocal emotion in schizophrenia and bipolar disorder
* 38: Kristiina Kompus and Kenneth Hugdahl: Perception of voices that
do not exist: Neuronal mechanisms in clinical and non-clinical
hallucinations
* 39: Claudia Roswandowitz, Corrina Maguinnessa, and Katharina von
Kriegstein: Deficits in voice-identity processing: Acquired and
developmental phonagnosia
* 40: Jennifer L. Agustus, Julia C. Hailstone, and Jason D. Warren:
Voice processing in dementia