Forty specially written essays explore a range US popular print materials from colonial beginnings through the mid-nineteenth-century imprint examining use and genre among groups ranging from free and enslaved blacks to native peoples to women of all races to provide an unusually well-rounded view of print's everyday meanings.
Forty specially written essays explore a range US popular print materials from colonial beginnings through the mid-nineteenth-century imprint examining use and genre among groups ranging from free and enslaved blacks to native peoples to women of all races to provide an unusually well-rounded view of print's everyday meanings.
Ronald J. Zboray is Professor of Communication and Director of the Graduate Program for Cultural Studies, University of Pittsburgh. Mary Saracino Zboray is a Visiting Scholar at the University of Pittsburgh. The editors have published extensively on antebellum print culture as well as on women's politicization in that era, and they have recently taken up, through numerous essays, print culture during the American Civil War.
Inhaltsangabe
* General Editor's Introduction * Introduction * Part I. Foundations * 1: Ronald J. Zboray and Mary Saracino Zboray: Print Production and the Book Trades * 2: David O. Dowling: Authorship * 3: Ronald J. Zboray and Mary Saracino Zboray: Readers * 4: Jean Ferguson Carr and Stephen L. Carr: Literacy and Education * 5: Wayne A. Wiegand: Social, Circulating, and Public Libraries * 6: Kristen Doyle Highland: Bookstores and other Retailing * 7: Wendy A. Woloson: Itinerant and Informal Distribution * 8: Richard B. Kielbowicz: Literature in the Mail * Part II. Preindustrial Era * 9: T. J. Tomlin: Almanacs * 10: Seth Perry: Bibles, Sermons, and other Religious Publications * 11: Billy J. Stratton: Captivity Narratives * 12: William Huntting Howell: Ephemera * 13: Jennifer Mylander: Imports * 14: Jared Gardner: Magazines to 1820 * 15: Meredith Neuman: Manuscript Culture and Print * 16: Carol Sue Humphrey: Newspapers to 1820 * 17: Sandra M. Gustafson: Oral Genres and Print * 18: Michelle Orihel: Pamphlets * Part III. Mass Market Emergence * 19: Carl Robert Keyes: Advertising * 20: Cynthia Patterson: Illustrated Periodicals * 21: Marcy J. Dinius: Lithography, Photography, and Print * 22: Tom F. Wright: Lyceums, Public Lectures, and Print * 23: Susan Belasco: Magazines from 1820 to 1860 * 24: Daniel Cavicchi: Music * 25: Erika J. Pribanic-Smith: Newspapers from 1820 to 1860 * 26: Barbara Hochman: Novels * 27: Matthew Short and Demian Katz: Story Papers and Pamphlet Novels * 28: Michael C. Cohen: Poetry * 29: Eileen Ka-May Cheng: Popular Nonfiction * 30: Joseph Rezek: Transatlantic Currents in the Literary Book Trade * Part IV. Segmentation and Diversity * 31: Eric Gardner: Black Engagement with Print * 32: Nicole N. Aljoe: Black Slave Narratives * 33: James Emmett Ryan: Catholic Publishing * 34: Sarah Wadsworth: Children's Literature * 35: Phillip H. Round: Native Imprints and Readers * 36: Paul Gutjahr: The Protestant Evangelical Press * 37: Teresa A. Goddu: Reform * 38: J. Brenton Stewart: Southern Imprints and Readers * 39: Montse Feu: Spanish-Language Publications and Readers * 40: Ronald J. Zboray and Mary Saracino Zboray: Women Writers and Readers
* General Editor's Introduction * Introduction * Part I. Foundations * 1: Ronald J. Zboray and Mary Saracino Zboray: Print Production and the Book Trades * 2: David O. Dowling: Authorship * 3: Ronald J. Zboray and Mary Saracino Zboray: Readers * 4: Jean Ferguson Carr and Stephen L. Carr: Literacy and Education * 5: Wayne A. Wiegand: Social, Circulating, and Public Libraries * 6: Kristen Doyle Highland: Bookstores and other Retailing * 7: Wendy A. Woloson: Itinerant and Informal Distribution * 8: Richard B. Kielbowicz: Literature in the Mail * Part II. Preindustrial Era * 9: T. J. Tomlin: Almanacs * 10: Seth Perry: Bibles, Sermons, and other Religious Publications * 11: Billy J. Stratton: Captivity Narratives * 12: William Huntting Howell: Ephemera * 13: Jennifer Mylander: Imports * 14: Jared Gardner: Magazines to 1820 * 15: Meredith Neuman: Manuscript Culture and Print * 16: Carol Sue Humphrey: Newspapers to 1820 * 17: Sandra M. Gustafson: Oral Genres and Print * 18: Michelle Orihel: Pamphlets * Part III. Mass Market Emergence * 19: Carl Robert Keyes: Advertising * 20: Cynthia Patterson: Illustrated Periodicals * 21: Marcy J. Dinius: Lithography, Photography, and Print * 22: Tom F. Wright: Lyceums, Public Lectures, and Print * 23: Susan Belasco: Magazines from 1820 to 1860 * 24: Daniel Cavicchi: Music * 25: Erika J. Pribanic-Smith: Newspapers from 1820 to 1860 * 26: Barbara Hochman: Novels * 27: Matthew Short and Demian Katz: Story Papers and Pamphlet Novels * 28: Michael C. Cohen: Poetry * 29: Eileen Ka-May Cheng: Popular Nonfiction * 30: Joseph Rezek: Transatlantic Currents in the Literary Book Trade * Part IV. Segmentation and Diversity * 31: Eric Gardner: Black Engagement with Print * 32: Nicole N. Aljoe: Black Slave Narratives * 33: James Emmett Ryan: Catholic Publishing * 34: Sarah Wadsworth: Children's Literature * 35: Phillip H. Round: Native Imprints and Readers * 36: Paul Gutjahr: The Protestant Evangelical Press * 37: Teresa A. Goddu: Reform * 38: J. Brenton Stewart: Southern Imprints and Readers * 39: Montse Feu: Spanish-Language Publications and Readers * 40: Ronald J. Zboray and Mary Saracino Zboray: Women Writers and Readers
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
