A collection of the most interesting and important articles on Catullus from around 1950 to 2000, together with three short pieces from the Renaissance. The readings demonstrate a number of approaches and challenges readers to look at Catullus in different ways. An introduction by Julia Haig Gaisser traces recent themes in Catullan criticism.
A collection of the most interesting and important articles on Catullus from around 1950 to 2000, together with three short pieces from the Renaissance. The readings demonstrate a number of approaches and challenges readers to look at Catullus in different ways. An introduction by Julia Haig Gaisser traces recent themes in Catullan criticism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Julia Haig Gaisser is Research Professor in the Humanities, Bryn Mawr College.
Inhaltsangabe
* Introduction: Themes in Catullan Criticism (c.1950-2000) * Catullus and his Books * Catullus, c. 1 * Catullus 116 * Metrical Variations and Some Textual Problems in Catullus * Catulli Veronensis Liber * The Collection * New Criticism and Catullus' Sapphics * Catullan `Otiosi': The Lover and the Poet * Catullus 11: The Ironies of Integrity * Neoteric Poetics * The Neoteric Poets * The Neoteric Elegiacs and the Epigrams Proper * Allusion and Intertext * Poetic Memory and the Art of Allusion * Poem 101 * Catullus, Ennius, and the Poetics of Allusion * Threads in the Labyrinth: Competing Views and Voices in Catullus 64 * Obscenity and Invective * Obscenity in Catullus * Catullus and the Art of Crudity * Debating the Sparrow * How the Sparrow of Catullus is to be Understood, and a Passage Pointed out in Martial * The Flea and the Sparrow * O factum male! O miselle passer! * Animal Imagery and the Sparrow * In Defence of Catullus' Dirty Sparrow * Roman Realities * A World Not Ours * Catullus XLII * Friendship, Politics, and Literature in Catullus: Poems 1, 65 and 66, 116 * Non inter nota sepulchra: Catullus 101 and Roman Funerary Ritual * The Lens of Theory * `Shall I compare thee . . .?': Catullus 68B and the Limits of Analogy * Ego mulier: The Construction of Male Sexuality in Catullus * Sappho 31 and Catullus 51: The Dialogism of Lyric * Ceveat lector: Catullus and the Rhetoric of Performance
* Introduction: Themes in Catullan Criticism (c.1950-2000) * Catullus and his Books * Catullus, c. 1 * Catullus 116 * Metrical Variations and Some Textual Problems in Catullus * Catulli Veronensis Liber * The Collection * New Criticism and Catullus' Sapphics * Catullan `Otiosi': The Lover and the Poet * Catullus 11: The Ironies of Integrity * Neoteric Poetics * The Neoteric Poets * The Neoteric Elegiacs and the Epigrams Proper * Allusion and Intertext * Poetic Memory and the Art of Allusion * Poem 101 * Catullus, Ennius, and the Poetics of Allusion * Threads in the Labyrinth: Competing Views and Voices in Catullus 64 * Obscenity and Invective * Obscenity in Catullus * Catullus and the Art of Crudity * Debating the Sparrow * How the Sparrow of Catullus is to be Understood, and a Passage Pointed out in Martial * The Flea and the Sparrow * O factum male! O miselle passer! * Animal Imagery and the Sparrow * In Defence of Catullus' Dirty Sparrow * Roman Realities * A World Not Ours * Catullus XLII * Friendship, Politics, and Literature in Catullus: Poems 1, 65 and 66, 116 * Non inter nota sepulchra: Catullus 101 and Roman Funerary Ritual * The Lens of Theory * `Shall I compare thee . . .?': Catullus 68B and the Limits of Analogy * Ego mulier: The Construction of Male Sexuality in Catullus * Sappho 31 and Catullus 51: The Dialogism of Lyric * Ceveat lector: Catullus and the Rhetoric of Performance
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