Deborah Pacini Hernandez¿is Associate Professor, Anthropology and American Studies, Tufts University. She is the author of¿¿(Temple), and the co-editor of¿Reggaeton¿andRockin' Las Américas: The Global Politics of Rock in Latin/o America.
Deborah Pacini Hernandez¿is Associate Professor, Anthropology and American Studies, Tufts University. She is the author of¿¿(Temple), and the co-editor of¿Reggaeton¿andRockin' Las Américas: The Global Politics of Rock in Latin/o America.
Deborah Pacini Hernandez is Associate Professor, Anthropology and American Studies, Tufts University. She is the author of Bachata: A Social History of a Dominican Popular Music (Temple), and the co-editor of Reggaeton and Rockin' Las Américas: The Global Politics of Rock in Latin/o America.
Inhaltsangabe
Preface 1. Introduction: Hybridity, Identity, and Latino Popular Music 2. Historical Perspectives on Latinos and the Latin Music Industry 3. To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock ’n’ Roll 4. Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitries 5. New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Dominican Popular Music 6. From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and Mestizaje 7. Marketing Latinidad in a Global Era Notes Selected Bibliography Index
Preface 1. Introduction: Hybridity, Identity, and Latino Popular Music 2. Historical Perspectives on Latinos and the Latin Music Industry 3. To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock ’n’ Roll 4. Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitries 5. New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Dominican Popular Music 6. From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and Mestizaje 7. Marketing Latinidad in a Global Era Notes Selected Bibliography Index
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