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"It's 2017 and the crisis of forced disappearances has reached a tipping point after 43 docent students disappeared and are feared dead. Aureliano áMs the Second is a fledgling writer at a lucrative fellowship in Mexico City chaired by his aunt, Rose. When Aureliano was very young, his mother left without reason or trace. Aureliano is attempting to write a novel that mirrors his mother's unexplained disappearance while shattering Magical Realism as a genre in the process. It doesn't help though, that he's named after the protagonist of a touchstone of the Magical Realist canon, and raised in the mythical town of Comala."--…mehr

Produktbeschreibung
"It's 2017 and the crisis of forced disappearances has reached a tipping point after 43 docent students disappeared and are feared dead. Aureliano áMs the Second is a fledgling writer at a lucrative fellowship in Mexico City chaired by his aunt, Rose. When Aureliano was very young, his mother left without reason or trace. Aureliano is attempting to write a novel that mirrors his mother's unexplained disappearance while shattering Magical Realism as a genre in the process. It doesn't help though, that he's named after the protagonist of a touchstone of the Magical Realist canon, and raised in the mythical town of Comala."--
Autorenporträt
Diego Gerard Morrison (Mexico City, 1984) is a writer, editor and translator whose recent work explores themes of Magical Realism and appropriation in the context of the Mexican drug war. He is the author of The Wait, an appropriation of Samuel Beckett's Waiting for Godot in a setting of Mexican cartel violence and its resulting crisis of forced disappearances. His debut novel, Myth of Pterygium was the winner of the Rising Prize in Fiction. He is the cofounder and fiction editor of diSONARE, an editorial project based in Mexico City. He lives in Mexico City.