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Pagpag is a provocation, connoting both debris and creative refashioning of memory fragments from the Marcos dictatorship-a legacy that, in the words of Philippine nationalist historian Renato Constantino, remains ruefully "a continuing past," especially in today's Duterteland. Here, the remains of the regime, like rescued reminiscences of an era preferred forgotten but not lost are gathered anew in a compelling telling, this time from the lens of a diasporic exile. In this volume, Eileen Tabios captures in scintillating prose the sights, smells, sounds, and ghostly hauntings of that era and…mehr

Produktbeschreibung
Pagpag is a provocation, connoting both debris and creative refashioning of memory fragments from the Marcos dictatorship-a legacy that, in the words of Philippine nationalist historian Renato Constantino, remains ruefully "a continuing past," especially in today's Duterteland. Here, the remains of the regime, like rescued reminiscences of an era preferred forgotten but not lost are gathered anew in a compelling telling, this time from the lens of a diasporic exile. In this volume, Eileen Tabios captures in scintillating prose the sights, smells, sounds, and ghostly hauntings of that era and offers back to the homeland, as in the gift of a proverbial balikbayan box, her reflections both heartfelt and wrenching. -Lily A. Mendoza, Executive Director, Center for Babaylan Studies, Associate Professor in Culture and Communication, Oakland University, and author of Between the Homeland and the Diaspora: The Politics of Theorizing Filipino and Filipino American Identities
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Autorenporträt
Eileen R. Tabios loves books and has released over 50 collections of poetry, fiction, essays, and experimental biographies from publishers in nine countries and cyberspace. Publications include form-based Selected Poems, The In(ter)vention of the Hay(na)ku: Selected Tercets 1996-2019, INVENT(ST)ORY: Selected Catalog Poems & New 1996-2015, and THE THORN ROSARY: Selected Prose Poems & New 1998-2010; the first book-length haybun collection, 147 MILLION ORPHANS (MMXI-MML); a collected novels, SILK EGG; an experimental autobiography AGAINST MISANTHROPY; as well as two bilingual and one trilingual editions, the English/Romanian I FORGOT ARS POETICA / AM UITAT ARTA POETICA, the English/Spanish ONE, TWO, THREE: Hay(na)ku / UNO DOS TRES: Hay(na)ku, and the English/Romanian/Spanish YOUR FATHER IS BALD. Her award-winning body of work includes invention of the hay(na)ku poetic form as well as a first poetry book, BEYOND LIFE SENTENCES (1998), which received the Philippines' National Book Award for Poetry (Manila Critics Circle). Her poems have been translated into nine languages as well as computer-generated hybrid languages, paintings, video, drawings, visual poetry, mixed media collages, Kali martial arts, music, modern dance, sculpture and a sweat shirt. Additionally, she has edited, co-edited or conceptualized 15 anthologies of poetry, fiction and essays as well as exhibited visual art and visual poetry in the United States, Asia and Serbia.