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Using examples of works by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, he author explores the relation between the artworks' concept and material, theories of musical performance and performativity, and the Bergsonian concept of duration.

Produktbeschreibung
Using examples of works by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, he author explores the relation between the artworks' concept and material, theories of musical performance and performativity, and the Bergsonian concept of duration.
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Autorenporträt
Hanna B. Hölling is Lecturer in the History of Art and Material Studies at the Department of History of Art, University College London. She was Andrew W. Mellon Visiting Professor, Cultures of Conservation, at the Bard Graduate Center in New York and Visiting Scholar at the Max Planck Institute for the History of Science. She teaches material culture, cultures of conservation, and postwar art history. Among her many publications is Revisions¿Zen for Film.
Rezensionen
It is wonderful to see a new generation of media and art historians offering a fresh view on this global artist. Hölling is one of the leading scholars helping us to understand Nam June Paik's work in the digital age."-Wulf Herzogenrath, art historian and curator